“When I read the catechism of the Council of Trent, it seems as though I had nothing in common with the religion there set forth.”
Letter to a Priest (1951)
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Simone Weil 193
French philosopher, Christian mystic, and social activist 1909–1943Related quotes
Source: The Monkey Grammarian (1974), Ch. 1
Context: The best thing to do will be to choose the path to Galta, traverse it again (invent it as I traverse it), and without realizing it, almost imperceptibly, go to the end — without being concerned about what “going to the end” means or what I meant when I wrote that phrase. At the very beginning of the journey, already far off the main highway, as I walked along the path that leads to Galta, past the little grove of banyan trees and the pools of foul stagnant water, through the Gateway fallen into ruins and into the main courtyard bordered by dilapidated houses, I also had no idea where I was going, and was not concerned about it. I wasn’t asking myself questions: I was walking, merely walking, with no fixed itinerary in mind. I was simply setting forth to meet … what? I didn’t know at the time, and I still don’t know. Perhaps that is why I wrote “going to the end”: in order to find out, in order to discover what there is after the end. A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet … even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end — it too fades away to nothingness.
Source: The Beach (1941), Chapter 2, p. 8
12. "The Ordinary Hairpins"
Trent Intervenes (1938)
“I now propose briefly to… set forth”
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 74
Context: I now propose briefly to... set forth, in a form intelligible to those who possess no special acquaintance with anatomical science, the chief facts upon which all conclusions respecting the nature and the extent of the bonds which connect man with the brute world must be based: I shall then indicate the one immediate conclusion which, in my judgment, is justified by those facts, and I shall finally discuss the bearing of that conclusion upon the hypotheses which have been entertained respecting the Origin of Man.
Two Sermons (1853), Sermon II : Of the Position and Duty of a Minister.
Context: You and I may perish. Temptation which has been too strong for thousands of stronger men, may be too great for me; I may prove false to my own idea of religion and of duty; the gold of commerce may buy me, as it has bought richer men; the love of the praise of men may seduce me; or the fear of men may deter my coward voice, and I may be swept off in the earthquake, in the storm, or in the fire, and prove false to that still small voice. If it shall ever be so, still the great ideas which I have set forth, of man, of God, of religion, — they will endure, and one day will be "a flame in the heart of all mankind." To-day! why, my friends, eternity is all around to-day, and we can step but towards that. A truth of the mind, of the conscience, of the heart, of the soul, — it is the will of God; and the omnipotence of God is pledged for the achievement of that will. Eternity is the life-time of Truth.
“It seemed to me that I had no right to burn a book I hadn't even read.”
The Daring Young Man on the Flying Trapeze (1934), A Cold Day
"Morreion", Ch. 6
Dying Earth (1950-1984), Rhialto the Marvellous (1984)
“I am so constituted that I had rather read bad stuff than nothing.”
As quoted in the dedication to The Pumpkin Coach (1935) by Louis Paul
“I had no distance or detachment from what I read: it seemed too real to me, too possible.”
Apocalypse Descending (2002)
Context: I was about ten when I first read 1984 and Lord of the Flies, both of which absolutely terrified me — especially 1984, because I figured out that Julia, Winston Smith's lover, would have been born the same year I was. I knew these books were fiction, but I was far too young to have a grasp on the political or cultural realities behind them — I had no distance or detachment from what I read: it seemed too real to me, too possible.