“.

The natural state. Our moods change. Our lives change. Our feelings for each other change. Our bearings change. The song changes. The air changes. The temperature of the shower changes.
Accept this. We must accept this.”

Imaginary Homelands (1992)
Context: Those who oppose the novel most vociferously today are of the opinion that intermingling with a different culture will inevitably weaken and ruin their own. I am of the opposite opinion. The Satanic Verses celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelization and fears the absolutism of the Pure. Melange, hotchpotch, a bit of this and a bit of that is how newness enters the world. It is the great possibility that mass migration gives the world… The Satanic Verses is for change-by-fusion, change-by-conjoining. It is a love song to our mongrel selves.

Raymond, p. 298 https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t80k3mq4s;view=1up;seq=340
Raymond, or Life and Death (1916)

Arthur's commentary
The Nemesis of Faith (1849)
Context: Our characters change as world eras change, as our features change, slowly from day to day. Nothing is sudden in this world. Inch hy inch; drop by drop; line by line. Even when great convulsions shatter down whole nations, cities, monarchies, systems, human fortunes, still they are but the finish, the last act of the same long preparing, slowly devouring change, in which the tide of human affairs for ever ebbs and flows, without haste, and without rest.

Source: Culture and Value (1980), p. 53e

Source: The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change

Selected Sonnets: A Bilingual Edition (2008), ed. William Baer, p. 70
Lyric poetry, Não pode tirar-me as esperanças, Mudam-se os tempos, mudam-se as vontades