“She stared at her reflection in the glossed shop windows as if to make sure, moment by moment, that she continued to exist.”
Source: The Bell Jar
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Sylvia Plath 342
American poet, novelist and short story writer 1932–1963Related quotes
Light (1919), Ch. XXIII - Face To Face
Context: Against the window's still pallid sky I see her hair, silvered with a moonlike sheen, and her night-veiled face. Closely I look at the share of sublimity which she bears on it, and I reflect that I am infinitely attached to this woman, that it is not true to say she is of less moment to me because desire no longer throws me on her as it used to do. Is it habit? No, not only that. Everywhere habit exerts its gentle strength, perhaps between us two also. But there is more. There is not only the narrowness of rooms to bring us together. There is more, there is more! So I say to her:
"There's you."
"Me?" she says. "I'm nothing."
"Yes, you are everything, you're everything to me."
A quotation from a letter Powell said had been sent to him from Northumberland, referring to one of his constituents. (According to a BBC radio programme broadcast in January 2007, the person in question was Druscilla Cotterill. However, this is open to question as some of the personal characteristics of Mrs Cotterill were not identical to the description given by Powell; in contrast to the woman referred to by Powell, Mrs Cotterill was childless and did not have a telephone. Source: Document, Radio 4, 22 January 2007. A contemporary investigation by journalists from The Express and Star, a local newspaper, could find no trace of the woman, and the paper had itself received similar letters which it had traced back to the National Front. Source: " Enoch Powell was wrong http://www.telegraph.co.uk/news/uknews/immigration/9349376/Enoch-Powell-was-wrong.html", Ian Austin, The Telegraph, 22 June 2012.).
The 'Rivers of Blood' speech
“She had that rare virtue of never existing completely except for that opportune moment”
Source: One Hundred Years of Solitude
Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.