“I do not like odd things until I can understand them.”

Source: Clockwork Princess

Annotation: It's unclear, whether this quote is from Hanyu himself or based on a commercial script, but it's commonly attributed to him.
Original: (ja) できなかったら、できるまでやる。できるようになったら、完璧にできるまでやる。完璧にできるようになったら、何度でも、完璧にできるまでやる。
Source: Attributed, Lines from a TV commercial for 味の素 アミノバイタル (AJINOMOTO amino VITAL), released on 1 October 2014, as quoted in フィギュアスケート14-15シーズン序盤号, published on 15 November 2014 by 日刊スポーツ新聞社 (Nikkan Sports News).

https://naijagists.com/omotola-jalade-ekeinde-wisdom-quotes-top-20-motivational-quotes-sayings-omosexy/ Omotola Jalade Ekehinde speaking on Success.

Source: A Wrinkle in Time

(19 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: All I have to do is make you see this. This one particular thing here. That's all. And sometimes it's impossible. Sometimes, I know the best odds I can hope for are a thousand to one. You'll see what you see, what your life has conditioned you to see upon encountering that combination of words, not what I want or need you to see. Fiction writing is like making films for the blind.

Source: Memoirs, May Week Was in June (1990), p. 241

Letter to Mrs. T. P. Hyatt (1895)
Context: There are heaps of things I would like to do, but there is no time to do them. The most gorgeous ideas float before the imagination, but time, money, and alas! inspiration to complete them do not arrive, and for any work to be really valuable we must have time to brood and dream a little over it, or else it is bloodless and does not draw forth the God light in those who read. I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible.
I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good. So you see, from my slow habit of mind and limited time it is all I can do to place monthly, my copy in the hands of my editor when he comes with a pathetic face to me.

Interview with Don Swaim (1986)
1980s

The Winter of Our Discontent (1961), unplaced by chapter