
“You can ask me anything you like about my work, but I'll never talk about myself.”
As quoted by Valerie Lawson, in an interview: "The Mystic Life of P.L. Travers" (7 May 2003) http://www.abc.net.au/rn/relig/ark/stories/s844311.htm
Source: Maximum Ride: Fang: Dystopian Science Fiction
“You can ask me anything you like about my work, but I'll never talk about myself.”
As quoted by Valerie Lawson, in an interview: "The Mystic Life of P.L. Travers" (7 May 2003) http://www.abc.net.au/rn/relig/ark/stories/s844311.htm
Said on being inducted into the Canadian Songwriters Hall of Fame, www.chartattack.com (January 29, 2007)
Williams-Akoto. "My Home: Stella Vine, artist" http://www.independent.co.uk/life-style/house-and-home/property/my-home-stella-vine-artist-517456.html, The Independent, (2005-11-30)
On working in London.
On how drawings are used in all of its forms as a recurrent theme in From the Cables of Genocide in “Poetry Saved My Life: An Interview with Lorna Dee Cervantes” https://opencourses.uoa.gr/modules/document/file.php/ENL9/Instructional%20Package/Texts//Readings/Chicana%20Movement-%20Further%20Reading/An%20Interview%20with%20Lorna%20Dee%20Cervantes.pdf (Spring 2007)
“I saw and approached the hungry and desperate mother, as if drawn by a magnet.”
Statement about Lange's most famous photograph titled "Migrant Mother", in Popular Photography (February 1960.
Context: I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed. She had just sold the tires from her car to buy food. There she sat in that lean-to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it.
Between Parentheses. Essays, Articles, and Speeches, 1998–2003. ed. Ignacio Echevarría, trans. Natasha Wimmer (New York: New Directions, 2011 [2004]). 358.
Variant: Alternative translation: "Those who have power—even for a short time—know nothing about literature; they are solely interested in power. I can be a clown to my readers, if I damn well please, but never to the powerful." Interview with Mónica Maristain for Playboy (Mexican edition), "The Last Interview" (2003), 102, in: The Last Interview. trans. Sybil Perez (New York: Mellville House, 2009). 93-123