
“I think a beautiful product that doesn't work very well is ugly.”
Vanity Fair: "Jonathan Ives Shares Three Lessons He Learned From Steve Jobs" https://www.vanityfair.com/news/tech/2014/10/jony-ive-lessons-from-steve-jobs (9 October 2014)
“I think a beautiful product that doesn't work very well is ugly.”
Vanity Fair: "Jonathan Ives Shares Three Lessons He Learned From Steve Jobs" https://www.vanityfair.com/news/tech/2014/10/jony-ive-lessons-from-steve-jobs (9 October 2014)
Quoted in Ben Elgin, "Google's Goal: "Understand Everything," http://www.businessweek.com/magazine/content/04_18/b3881010_mz001.htm BusinessWeek (2004-05-03).
Source: "Liu Wen Sees Beauty as a Journey, Not a Destination" in Harper's Bazaar https://www.harpersbazaar.com/culture/features/a36205161/liu-wen-beauty-issue-may-2021/ (26 April 2021)
Part 5: "The World of One Physicist", "But Is It Art?", p. 261
Surely You're Joking, Mr. Feynman! (1985)
Context: I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
¿En perseguirme, mundo, qué interesas?
¿En qué te ofendo, cuando sólo intento
poner bellezas en mi entendimiento
y no mi entendimiento en las bellezas?
Sonnet 146, as translated by Edith Grossman in Sor Juana Inés de la Cruz: Selected Works (2014)
Quote from Renoir – his life and work, Francois Fosca; Book Club Associates /Thames and Hudson Ltd, London 1975, p. 79
Quotes of Paul Cezanne, 1880s - 1890s
as cited in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 221: Remark in the 'Artists' Session' at Studio 35, 1950.
1950s
[http://www.kimwilde.com/articles/1981/00244/ New Musical Express (19 September 1981)
Interviews