Source: The Fall of Hyperion (1990), Chapter 45 (p. 491)
“Literary works do not take as their subjects characters and events which have impressed a writer primarily by the frequency of their appearance. For example, how many Jewish men, as we know them, have come nearly to the brink of plunging a knife into their only son because they believed God had commanded them to? The story of Abraham and Isaac derives its meaning from something other than its being a familiar, recognizable, everyday occurrence. The test of any literary work is not how broad is its range of representation — for all that breadth may be characteristic of a kind of narrative — but the depth with which the writer reveals whatever it may be that he has chosen to represent.”
Writing About Jews (1963)
Help us to complete the source, original and additional information
Philip Roth 95
American novelist 1933–2018Related quotes
Source: Art & Other Serious Matters, (1985), p. 55, "Evidences of Surreality"
Source: Collins explaining what he calls the literary principal guiding him, in the preface of the second edition of The Woman in White. Also in Reality's Dark Light: The Sensational Wilkie Collins by Maria K. Bachman & Don Richard Cox [University of Tennessee Press, 2003, ISBN 1-572-33274-3] ( p. xiv https://books.google.com/books?id=_X8AlmIp0dwC&pg=PR14)

"The Popular and the Realistic" (written 1938, published 1958), as translated in Brecht on Theatre (1964) edited and translated by John Willett.
“ ‘Very Graceful Are the Uses of Culture’ ”, p. 211
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Taylor McAden, Chapter 18, p. 200
2000s, The Rescue (2000)

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism
'Introduction'
Essays and reviews, Glued to the Box (1983)