
Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.
Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.
Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.
Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.
“My purpose in performing is to communicate the joy I experience in living. ”
Source: Marxism, Fascism & Totalitarianism: Chapters in the Intellectual History of Radicalism, (2008), p. 313
Hagakure (c. 1716)
Source: Hagakure: The Book of the Samurai
Context: There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
Everyone lets the present moment slip by, then looks for it as though he thought it were somewhere else.
Source: Ursprung des deutschen Trauerspiels [Origin of the German Mourning Play] (1925), p. 28
“Perfect aristocratic tone, Degrandpre thought: insult and menace in a single phrase.”
Source: Bios (1999), Chapter 11 (p. 106)
Source: Specification of Digital Systems (1978), p. 29
“Left alone with the dial tone… excuse me, operator, why is no one listening?”
Source: Saving Francesca