“The power of the Latin classic is in character, that of the Greek is in beauty.”

—  Matthew Arnold

Now character is capable of being taught, learnt, and assimilated: beauty hardly.
"Schools and Universities on the Continent" (1868)

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Matthew Arnold 166
English poet and cultural critic who worked as an inspector… 1822–1888

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Matthew Arnold photo

“The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Schools and Universities on the Continent" (1868)

Angelique Rockas photo

“The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie, and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)

“Though Latin long held sway in Court and bureaucratic circles, the cultural cement of the empire’s core populations was Greek and its education was in the Greek classics and tongue. Imperial tradition, Christian Orthodoxy and Greek culture became even more the bases of Byzantium and her Hellenic community, after she had lost most of her western and Asiatic possessions in the seventh century — to Visigoths and then Arabs m Spain and North Africa, to the Lombards in much of Italy, to the Slavs in the Balkans and to Muslim armies in Egypt and the Near East. Political circumstances, and the resilience of Greek culture and Greek education, made her predominantly Greek in speech and character. After the sack of Constantinople in 1204 and the establishment of a Latin empire under Venetian auspices, the rivalry of the Greek empires based on Nicaea, Epirus and Trebizond to realize the patriotic Hellenic dream of recapturing the former capital further stimulated Greek ethnic sentiment against Latin usurpation. W1cn in the face of Turkith threats, the fifteenth-century Byzantine emperor, Michael Palaeologus, tried to place the Orthodox Church under the Papacy and hence Western protection; an inflamed Greek sentiment vigorously opposed his policy. The city’s populace in the fourteenth and fifteenth centuries, their Hellenic sentiments fanned by monks, priests and the Orthodox party against the Latin policies of the government, actually preferred the Turkish turban to the Latin mitre and attacked the urban wealthy classes. But the Turkish conquest and the demise of Byzantium did not spell the end of the Orthodox Greek community and its ethnic sentiment. tinder its Church and Patriarch, and organized as a recognized milliet of the Ottoman empire, the Greek community flourished in exile, the upper classes of its Diaspora assuming privileged economic and bureaucratic positions in the empire. So Byzantine bureaucratic incorporation had paradoxical effects: as in Egypt, it helped to sunder the mass of the Greek community from the state and its Court and bureaucratic imperial myths and culture in favour of a more demotic Greek Orthodoxy; but, unlike Egypt, the demise of the state served to strengthen that Orthodoxy and reattach to it the old dynastic Messianic symbolism of a restored Byzantine empire in opposition to Turkish oppression.”

Anthony D. Smith (1939–2016) British academic

The Ethnic Origins of Nations (1987)

“However, such myths developed earlier in the Byzantine periphery. In the heart of the Empire, it was really only in its final phase from 1261, under the Palaeologan emperors, after the chastening experience of the Sack of Constantinople by the Latins in 1204, and the subsequent period of ‘penance’ in the Nicene Empire, that we can begin to speak of a definite Greek ethnic component fuelled by strong anti-Latin sentiment, alongside the Universal Church and its mission to outsiders (see Raynes and Moss 1969: 33—6). In fact, a strong Greek ethnic sentiment had developed already at Nicaca. In John Armstrong’s words: At Nicaea after the Crusader conquest of Constantinople, the literati demanded that the emperor in-exile entitle himself king of the Hellenes”. Two centuries later the last emperor was mourned as Constantine the Hellene (Armstrong 1981: 179). For Armstrong, this was partly the result of a long-term homogenizing socialization process required for a powerful, integrated, and hierarchical central bureaucracy. But it was also due to Greek adherence to classical learning and literature, and to Byzantine unwillingness to accept the parity of Latin as a language of empire”

Anthony D. Smith (1939–2016) British academic

Armstrong 1982.: 178—8 I, 116—17
Chosen Peoples (2003)

Karl Lagerfeld photo

“I love classic beauty. It’s an idea of beauty with no standard.”

Karl Lagerfeld (1933–2019) German fashion designer
W. H. Auden photo

“At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.”

W. H. Auden book The Dyer's Hand

"Reading", p. 12
The Dyer's Hand, and Other Essays (1962)

Louis Pasteur photo

“The Greeks understood the mysterious power of the underside of things. They are the ones who gave us one of the most beautiful words in our language, the word enthusiasm.”

Louis Pasteur (1822–1895) French chemist and microbiologist

Εν Θεος - A God within.

Variant translation: "The Greeks have given us one of the most beautiful words of our language, the word "enthusiasm" Εν Θεος .— a God within. The grandeur of the acts of men are measured by the inspiration from which they spring. Happy is he who bears a God within." (As quoted in Spiritual Literacy : Reading the Sacred in Everyday Life (1998) by Frederic Brussat and Mary Ann Brussat)

Original: Les Grecs avaient compris la mystérieuse puissance de ce dessous de choses. Ce sont eux qui nous ont légué un des plus beaux mots de notre langue, le mot enthousiasme. —Εν Θεος. — Un Dieu intérieur.
Discours de réception de Louis Pasteur (1882)

André Weil photo

“For our genius of a father did not limit himself to math. His brain was an octopus, the tentacles of which extended in all directions. He could scan Latin verse and Greek verse as well, and it was as if he were hearing Homer or Theocritus in person. Not to mention the fact that he read Greek from volumes filled with characters which in no way resembled the ones in our Greek grammar or book of excerpts from Greek literature. He also read Sanskrit, with its truly bizarre letters. He spoke Italian like Dante, Spanish like Cervantes, and so for almost every living language.”

André Weil (1906–1998) French mathematician

From At home with André and Simone Weil by Sylvie Weil, pp. 31–32 https://books.google.com/books?id=OdeDlT9-GBUC&pg=PA31
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“I relate to everything. I'm not just jazz, Latin or classical. I really am a fusion of all of those; not today's fusion, but my fusion.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "He Arranges, Composes, Performs: Fischer, A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer

Arthur Miller photo

“That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?”

Arthur Miller (1915–2005) playwright from the United States

His reply to a shoe manufacturer who had asked why Miller's job should be subsidized when his was not, as recounted at a London press conference. The Guardian (25 January 1990)

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