“Uncle Tom's Cabin was no literary masterpiece but it was a culture-bearing book. It came at a time when the entire culture was about to reject slavery.”

From its destitution of trees, Scotland was once a by-word; now it is a garden of beauty. Five generations ago, Britain was ashamed to write books in her own tongue. Now her language is spoken in all quarters of the globe. The Jim Crow Minstrels have, in many cases, led the negro to the study of music; while the doubt cast upon the negro’s tongue has sent him to the lexicon and grammar and to the study of Greek orators and orations.
1870s, Self-Made Men (1872)

Zen and the Art of Motorcycle Maintenance (1974), Afterword (1984)
Context: A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books occur almost accidentally, like a sudden change in the stock market. There are books of high quality that are an part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.

Part 4, section 20.
The Cunning Man (1994)

Little Foxes (1865)

Word Play (1974)
Context: The weakness of the Sapir-Whorf Hypothesis... the impossibility of generalizing about entire cultures and then attributing these generalizations to the language spoken... is to leave numerous facts about culture unexplained. The great religions of the world... have flourished among diverse peoples who speak languages with sharply different grammars.... Cultures as diverse as the Aztec Empire of Mexico and the Ute hunting bands of the Great Basin spoke very closely related tongues.

Source: Christ and Culture (1951), p. 69

Source: The Piper's Son

Response to criticism of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as quoted in &quot;20Q: Camille Paglia&quot; by Warren Kalbacker in Playboy magazine (October 1991) http://www.playboy.co.uk/article/16659/20q-camille-paglia; also in Gauntlet # 4 (1992), p. 133 <br class="br">Context: It was intended to please no one and to offend everyone. The entire process of the book was to discover the repressed elements of contemporary culture, whatever they are, and palpate them. One of the main premises was to demonstrate that pornography is everywhere in major art. Art history as written is completely sex free, repressive and puritanical. I want precision and historical knowledge, but at the same time, I try to zap it with pornographic intensity.

Ch 10 The Property Is Carried Off
Uncle Tom's Cabin (1852)