
Source: 1910's, The Art of Noise', 1913, p. 6
Source: 1910's, The Art of Noise', 1913, p. 6
Context: This evolution toward noise-sound is only possible today. The ear of an eighteenth century man never could have withstood the discordant intensity of some of the chords produced by our orchestras (whose performers are three times as numerous); on the other hand our ears rejoice in it, for they are attuned to modern life, rich in all sorts of noises. But our ears far from being satisfied, keep asking for bigger acoustic sensations. However, musical sound is too restricted in the variety and the quality of its tones. Music marks time in this small circle and vainly tries to create a new variety of tones... We must break at all cost from this restrictive circle of pure sounds and conquer the infinite variety of noise-sounds.
Source: 1910's, The Art of Noise', 1913, p. 6
“Sound is all our dreams of music. Noise is music's dreams of us.”
Sound Noise Varese Boulez, in Audio Culture: Readings in Modern Music http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport, edited by Christoph Cox, Daniel Warner. A&C Black, 2004. p. 16 http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport.
Russolo. English trans. Barclay Brown (1986: 37).
undated quotes
Pierre Schaeffer: an Interview with the Pioneer of Musique Concrete (Records Quarterly magazine, vol. 2, n° 1; 1987)
Interviews
“I carry a deep sadness of the heart which must now and then break out in sound.”
As quoted in Walker, 1997.
“The never-ceasing boom of the great ocean as it breaks on the beach, drowns all smaller sounds.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.