“No! 'tis the present world that prompts the song,
The world we see, the world that feels the wrong,
The world of men, whose arguments ye know,
Of men, long curb'd to servitude and wo,
Men, rous'd from sloth, by indignation stung,
Their strong hands loos'd, and found their fearless tongue;
Whose voice of fire, whose deep-descending steel
Shall speak to souls, and teach dull nerves to feel.”
The Conspiracy of Kings (1792)
Context: Think not, ye knaves, whom meanness styles the Great,
Drones of the Church and harpies of the State, —
Ye, whose curst sires, for blood and plunder fam'd,
Sultans or kings or czars or emp'rors nam'd,
Taught the deluded world their claims to own,
And raise the crested reptiles to a throne, —
Ye, who pretend to your dark host was given
The lamp of life, the mystic keys of heaven;
Whose impious arts with magic spells began
When shades of ign'rance veil'd the race of man;
Who change, from age to age, the sly deceit
As Science beams, and Virtue learns the cheat;
Tyrants of double powers, the soul that blind,
To rob, to scourge, and brutalize mankind,
Think not I come to croak with omen'd yell
The dire damnations of your future hell,
To bend a bigot or reform a knave,
By op'ning all the scenes beyond the grave.
I know your crusted souls: while one defies
In sceptic scorn the vengeance of the skies,
The other boasts, — “I ken thee, Power divine,
“But fear thee not; th' avenging bolt is mine." No! 'tis the present world that prompts the song,
The world we see, the world that feels the wrong,
The world of men, whose arguments ye know,
Of men, long curb'd to servitude and wo,
Men, rous'd from sloth, by indignation stung,
Their strong hands loos'd, and found their fearless tongue;
Whose voice of fire, whose deep-descending steel
Shall speak to souls, and teach dull nerves to feel.
Help us to complete the source, original and additional information
Joel Barlow 29
American diplomat 1754–1812Related quotes
“Earlier Exhortation to the Brothers and Sisters of Penance,” Francis of Assisi: Early Documents, Volume 1, p. 43.
A Dirge http://poetryarchive.bravepages.com/RSTU_poets/shelley_percy.b.htm#dirge (1821)
Dedication, later published as " A Prayer in Time of War http://www.poetseers.org/poets/alfred_noyes/a_prayer_in_time_of_war/"
A Belgian Christmas Eve (1915)
Context: p>Thou whose deep ways are in the sea,
Whose footsteps are not known,
To-night a world that turned from Thee
Is waiting — at Thy Throne.The towering Babels that we raised
Where scoffing sophists brawl,
The little Antichrists we praised —
The night is on them all.</p
Education, p. 57, c 1903, 1952, The Ellen G. White Publications; Pacific Press Publishing Association.
What is the New Element in the Norwegian School?
1890s, Quintessence Of Ibsenism (1891; 1913)
"The Secret Inn : 'The Kingdom is Within You'" in Master Mind Magazine, Vol. VII, No. 3 (December 1914), p. 99
Context: Descend, descend, Urania, speak
To men in their own tongue!
Leave not the breaking heart to break
Because thine own is strong.
This is the law, in dream and deed,
That heaven must walk on earth!
O, shine upon the humble creed
That holds the heavenly birth.
Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 37
Adam Bede (1859)
Context: All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women, and children — in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion, but in the secret of deep human sympathy. Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world — those homes with their tin pans, their brown pitchers, their rough curs, and their clusters of onions. In this world there are so many of these common coarse people, who have no picturesque sentimental wretchedness! It is so needful we should remember their existence, else we may happen to leave them quite out of our religion and philosophy and frame lofty theories which only fit a world of extremes. Therefore, let Art always remind us of them; therefore let us always have men ready to give the loving pains of a life to the faithful representing of commonplace things — men who see beauty in these commonplace things, and delight in showing how kindly the light of heaven falls on them. There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch for whom I have to make way with kindly courtesy.