
Quote in: Herschel Browning Chipp (1968) Theories of Modern Art. p. 332
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)
1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)
Quote in: Herschel Browning Chipp (1968) Theories of Modern Art. p. 332
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)
Quote of Gabo, as cited in: Simon Wilson (1991), Tate Gallery: An Illustrated Companion, Tate Gallery, London, revised edition. p. 146
undated
“Half or more of the best new work in the last few years has been neither painting nor sculpture.”
Source: 1960s, "Specific Objects," 1965, p. 74; Lead paragraph; partly cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/6/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 6
Context: Half or more of the best new work in the last few years has been neither painting nor sculpture. Usually it has been related, closely or distantly, to one or the other. The work is diverse, and much in it that is not in painting and sculpture is also diverse. But there are some things that occur nearly in common.
As quoted by Tanner, Bower, McLeish, and Gaspar in Ch. 1. "Unity and Symmetry in the De Luce of Robert Grosseteste," Robert Grosseteste and the pursuit of Religious and Scientific Learning in the Middle Ages (2016) ed., Jack P. Cunningham, Mark Hocknull, p. 17.
De artibus liberalibus (c. 1222-1237)
The Amulet, 1831 (1830), The Legacy
Other Gift Books
Actually both positions are implicit in the paintings, so you don't have to choose.
The Insiders, Rejection en Rediscovery of Man in the Arts of our Time, Selden Rodman, Baton Rouge, Louisiana State University Press, 1960, Chapter 6.
1960s
He here refers to his proposal in "A unitary hypothesis of mind-brain interaction in the cerebral cortex" (1990); published in Proceedings of the Royal Society B 240, p. 433 - 451
How the Self Controls Its Brain (1994)
Context: The hypothesis has been proposed that all mental events and experiences, in fact the whole of the outer and inner sensory experiences, are a composite of elemental or unitary mental experiences at all levels of intensity. Each of these mental units is reciprocally linked in some unitary manner to a dendron … Appropriately we name these proposed mental units 'psychons.' Psychons are not perceptual paths to experiences. They are the experiences in all their diversity and uniqueness. There could be millions of psychons each linked uniquely to the millions of dendrons. It is hypothesized that it is the very nature of psychons to link together in providing a unified experience.
“Moonlight is sculpture; sunlight is painting.”
1838
Notebooks, The American Notebooks (1835 - 1853)
Honigman, Ana Finel. "Stella Vine in conversation with Ana Finel Honigman" http://www.saatchi-gallery.co.uk/blogon/2007/07/stella_vine_in_conversation_wi.php, Saatchi Gallery (2007-07-25).
On being a female artist.