“Above all communism is a poetic vocation. Without poetry, without a burning, purifying altruistic fervor, communism is only a farce, the receptacle of all anger, of all plebian resentment, the decadent playhouse of sharks, of all the tragic pimps, of all Jews, performing their Talmudic imposture.”

130
L'Ecole des cadavres (1938)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Above all communism is a poetic vocation. Without poetry, without a burning, purifying altruistic fervor, communism is …" by Louis-ferdinand Céline?

Louis-ferdinand Céline88

French writer 1894–1961

Related quotes

“I propose hermeneutic communism: non-dogmatic communism, weak communism. Only this can save us. [Is is] without essences, without absolutes to be realized at all costs. It is only an ideal of equitable society, a society that progressively weakens violence like dialectics.”

Gianni Vattimo (1936–2023) Italian philosopher, politician

"Only Weak Communism Can Save Us" (2013)

“When it's done with being graceful and poetic, language is meant to communicate, after all.”

Max Barry (1973) Australian writer

Great Writing interview

“Without an understanding of causality there can be no theory of communication. What passes as information theory today is not communication at all, but merely transportation.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 362

“Maybe all poetry, insofar as it moves us and connects with us, is a revealing of something that the writer doesn’t actually want to say but desperately needs to communicate, to be delivered of. Perhaps it’s the need to keep it hidden that makes it poetic—makes it poetry.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview
Context: Goethe called his work one big confession, didn’t he? Looking at his work in the broadest sense, you could say the same of Shakespeare: a total self-examination and self-accusation, a total confession—very naked, I think, when you look into it. Maybe it’s the same with any writing that has real poetic life. Maybe all poetry, insofar as it moves us and connects with us, is a revealing of something that the writer doesn’t actually want to say but desperately needs to communicate, to be delivered of. Perhaps it’s the need to keep it hidden that makes it poetic—makes it poetry. The writer daren’t actually put it into words, so it leaks out obliquely, smuggled through analogies. We think we’re writing something to amuse, but we’re actually saying something we desperately need to share.

“Above all, the first act of Godspell must be about the formation of a community.”

Stephen Schwartz (1948) American musical theatre lyricist and composer

Godspell Script Notes and Revisions (1999) http://www.webcitation.org/query?url=http://www.geocities.com/cugodspell/scriptnotes.html&date=2009-10-25+17:58:43 <br class="br">Context: Above all, the first act of Godspell must be about the formation of a community. Eight separate individuals, led and guided by Jesus (who is helped by his assistant, John the Baptist/Judas), gradually come to form a communal unit. This happens through the playing of games and the telling and absorption of lessons, and each of the eight individuals has his or her own moment of committing to Jesus and to the community. When Jesus applies clown make-up to their faces after "Save the People," he is having them take on an external physical manifestation that they are his disciples, temporarily separating them from the rest of society. But the internal journey of each character is separate and takes its individual course and period of time. Exactly when and why this moment of commitment occurs is one of the important choices each of the actors must make, in collaboration of course with the director. At the end of the first act, the audience is invited to join the community through the sharing of wine (or grape juice), mingling with the actors during intermission.