
[2013, From the Divine to the Human, World Wisdom, 82, 978-1-936597-32-1]
Spiritual path, Symbolism
Quote from Severini's introductory essay for the Marlborough Gallery catalogue; reproduced in Archivi del Futurismo, Volume 1, eds. Maria Drudi Gambillo and Teresa Fiori (Rome: De Luca, 1958-68. 2d 1986), pp. 113-115
[2013, From the Divine to the Human, World Wisdom, 82, 978-1-936597-32-1]
Spiritual path, Symbolism
Source: On Human Communication (1957), What Is It That We Communicate?, p. 10-11
The Renaissance in India (1918)
"The Greatest of the Monsters", p. 247
Forewords and Afterwords (1973)
Context: I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
Part III, Section 31
Principles of Philosophy of the Future http://www.marxists.org/reference/archive/feuerbach/works/future/index.htm (1843)