“A door opens to me. I go in and am faced with a hundred closed doors.”
Se me abre una puerta, entro y me hallo con cien puertas cerradas.
Voces (1943)
“A door opens to me. I go in and am faced with a hundred closed doors.”
Se me abre una puerta, entro y me hallo con cien puertas cerradas.
Voces (1943)
“A comedian is not a person who opens a funny door — he's the person who opens a door funny.”
John Lewell, "The Art of Chuck Jones: John Lewell Interviews the Veteran Hollywood Animator [1982]," in Animation - Art and Industry, ed. Maureen Furniss (John Libby Publishing Ltd., 2009), 134. Jones was paraphrasing Ed Wynn who was in turn paraphrasing Fred Allen.
Source: “A comic says funny things; a comedian says things funny”, Barry Popik, November 10, 2015, January 7, 2017 http://www.barrypopik.com/index.php/new_york_city/entry/a_comic_says_funny_things/,
“A comedian is not a man who opens a funny door. He opens a door funny.”
Hedda Hooper, November 1 1960, “Comic Ed Wynn, Winning Still, Discusses Craft”, Buffalo (NY) Courier-Express, pg. 6, col. 1. Wynn was paraphrasing Fred Allen. “A comic says funny things; a comedian says things funny”, Barry Popik, November 10, 2015, January 7, 2017 http://www.barrypopik.com/index.php/new_york_city/entry/a_comic_says_funny_things/,
“I was still “at the church door.””
Yet in belief, in the clarification of my philosophy, I had taken an important step. I no longer wavered between alternative views of the world, to be put on or taken off like alternative plays at the theatre. I now saw that there was only one possible play, the actual history of nature and of mankind, although there might well be ghosts among the characters and soliloquies among the speeches. Religions, all religions, and idealistic philosophies, all idealistic philosophies, were the soliloquies and the ghosts. They might be eloquent and profound. Like Hamlet's soliloquy they might be excellent reflective criticisms of the play as a whole. Nevertheless they were only parts of it, and their value as criticisms lay entirely in their fidelity to the facts, and to the sentiments which those facts aroused in the critic.
p. 169
Persons and Places (1944)
1960s, Voting Rights Act signing speech (1965)
“I really had no control over my cat. Hell, who actually had control over any cat?”