“.. if the objects will be mathematical values, the ambient in which they live will be a particular rhythm in the emotion which surrounds them. The graphic translation of this rhythm will be a state of form, a state of color, each of which will give back to the spectator the 'state of mind' which produced it..”

— Umberto Boccioni

in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67
1912

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Umberto Boccioni 41

Italian painter and sculptor 1882–1916

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“The matter of color is more confusing. Not every property of a system can be stated as a definite spatio-temporal state of affairs. A system's tendency, for instance, to move from State A to State B, but not from State B to State A... a tendency like this is not any specific event which you can point to in space and time. These nonspecific properties correspond to overall gestalts in the Hilbert Space coloring. Alternating bands of red and green light might, for example, represent a particle which is moving from left to right but which has no specific location. A good mood could be a golden haze not tied to any particular cause.”

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Umberto Boccioni 41

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