
“You can't fight City Hall. It keeps changing its name.”
"After Me, The Deluge" in The Chicago Tribune (28 September 1969)
These notes were possibly written in preparation for a letter. The meaning is obscure.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
“You can't fight City Hall. It keeps changing its name.”
"After Me, The Deluge" in The Chicago Tribune (28 September 1969)
“The name of our beautiful reward is not profit. Its name is freedom.”
National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin
Context: I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality. Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river.... The name of our beautiful reward is not profit. Its name is freedom.
Aisso non es amors; aitaus
No·n a mas lo nom e·l parven,
Que re non ama si no pren.
"Chantars no pot gaire valer", line 19; translation from Alan R. Press Anthology of Troubadour Lyric Poetry (1971) p. 67.
Some Mistakes of Moses (1879) http://www.gutenberg.org/files/38802/38802-h/38802-h.htm Preface
Context: Too great praise challenges attention, and often brings to light a thousand faults that otherwise the general eye would never see. Were we allowed to read the Bible as we do all other books, we would admire its beauties, treasure its worthy thoughts, and account for all its absurd, grotesque and cruel things, by saying that its authors lived in rude, barbaric times. But we are told that it was written by inspired men; that it contains the will of God; that it is perfect, pure, and true in all its parts; the source and standard of all moral and religious truth; that it is the star and anchor of all human hope; the only guide for man, the only torch in Nature's night. These claims are so at variance with every known recorded fact, so palpably absurd, that every free unbiased soul is forced to raise the standard of revolt.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 584.
Source: Anam Cara: A Book of Celtic Wisdom