Noted by Gokhale who was traveling with him by train. Quoted quoted in "Mahadev Govind Ranade" in page=104
“I was sitting on the seashore, half listening to a friend arguing violently about something which merely bored me. Unconsciously to myself, I looked at a film, of sand I had picked up on my hand, when I suddenly saw the exquisite beauty of every little grain of it; instead of being dull, I saw that each particle was made up on a perfect geometrical pattern, with sharp angles, from each of which a brilliant shaft of light was reflected, while each tiny crystal shone like a rainbow.... The rays crossed and recrossed, making exquisite patterns of such beauty that they left me breathless. … Then, suddenly, my consciousness was lighted up from within and I saw in a vivid way how the whole universe was made up of particles of material which, no matter how dull and lifeless they might seem, were nevertheless filled with this intense and vital beauty. For a second or two the whole world appeared as a blaze of glory. When it died down, it left me with something I have never forgotten and which constantly reminds me of the beauty locked up in every minute speck of material around us.”
Source: Heaven and Hell (essay) (1954), p. 77-78
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Aldous Huxley 290
English writer 1894–1963Related quotes
“Jews are likened to sand: tiny grains, dry and scattered, each separate from the other.”
Reb Nohemkes Myses, 1904, p. 200.
First post-engagement interview (2010)
i.e., by super-inducing on the animal instinct the principle of self-consciousness
Aids to Reflection (1873), footnote to Aphorism 106 part 13
Pages 196–97. Fall of 1966. Satin has dropped out of SUNY and is sitting in his girlfriend's apartment in Manhattan. The application is for Canadian immigrant status. Keith, a supportive college professor, is seen by Satin as a plastic sellout.
Confessions of a Young Exile (1976)
On the generational rifts in his family in “TOPE FOLARIN’S SEARCH FOR HIMSELF” https://melmagazine.com/en-us/story/tope-folarin-interview in Mel Magazine (2019)
Source: Poems of Fernando Pessoa
My Heart Leaps Up When I Behold, (1802); the last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.