“You think it a great triumph to make the sun draw brown landscapes for you! That was also a discovery, and some day may be useful. But the sun had drawn landscapes before for you, not in brown, but in green, and blue, and all imaginable colours, here in England. Not one of you ever looked at them, then; not one of you cares for the loss of them, now, when you have shut the sun out with smoke, so that he can draw nothing more, except brown blots through a hole in a box. There was a rocky valley between Buxton and Bakewell, once upon a time, divine as the vale of Tempe; you might have seen the Gods there morning and evening, — Apollo and all the sweet Muses of the Light — walking in fair procession on the lawns of it, and to and fro among the pinnacles of its crags. You cared neither for Gods nor grass, but for cash (which you did not know the way to get); you thought you could get it by what the Times calls "Railroad Enterprise." You Enterprised a Railroad through the valley — you blasted its rocks away, heaped thousands of tons of shale into its lovely stream. The valley is gone, and the gods with it; and now, every fool in Buxton can be at Bakewell in half-an-hour, and every fool in Bakewell at Buxton; which you think a lucrative process of exchange — you Fools Everywhere.”

— John Ruskin , book Fors Clavigera

Fors Clavigera, letter v (1 May 1871).
Fors Clavigera (1871-1878 and 1880-1884)

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John Ruskin 133

English writer and art critic 1819–1900

Frank Rutter (1876–1937) British art critic

Rutter, Frank. Art in My Time, p. 111. Rich & Cowan, London, 1933.
Rutter satirising the reaction of fans of impressionist art on seeing Cézanne's work in London in 1905.

“The new discovery that I have made in painting is the following. There are chords of colors, let's say a certain red and green, which move, shimmer when you look at them. Now if you're looking at a tree in a landscape, you can either look at the tree, or at the landscape, but not both, because of the stereoscopic effect. Now, when you are painting something three-dimensional, the chromatic sound which shimmers is the three-dimensional effect of colour, and when you paint a landscape, and the green foliage shimmers a little with the blue sky showing through it, that happens because the green is on a different plane from the sky in nature too. Finding the space-shaping energies of colour, instead of contenting ourselves with a dead chiaroascuro, is our finest task.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

in a letter to artist de:Hans Thuar, 1913, from Lake Thun in Switzerland; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145

“Do you, do you like dreaming of things
so impossible or only the practical
or ever the wild or waiting through all your bad bad days
just to end them with
someone you care about
and do you like making out
and long drives and brown eyes
and guys that just
don't quite fit in”

Chris Carrabba (1975) American musician

So Impossible

“Douglas Brown: Dr Banda, what is the purpose of your visit?
Hastings Banda: Well, I've been asked by the Secretary of State to come here.
Brown: Have you come here to ask the Secretary of State a firm date for Nyasaland's independence?
Banda: I won't tell you that.
Brown: When do you hope to get independence?
Banda: I won't tell you that.
Brown: Dr Banda, when you get independence, are you as determined as ever to break away from the Central African Federation?
Banda: Need you ask me that question at this stage?
Brown: Well, this stage is as good as any other stage. Why do you ask me why I shouldn't ask you this question at this stage?
Banda: Haven't I said that enough for everybody to be convinced that I mean just that?
Brown: Dr Banda, if you break with the Central African Federation, how will you make out economically? After all, your country isn't really a rich country.
Banda: Don't ask me that, leave that to me.
Brown: In which way is your mind working?
Banda: Which way? I won't tell you that.
Brown: Where do you hope to get economic aid from?
Banda: I won't tell you that.
Brown: Are you going to tell me anything?
Banda: Nothing.
Brown: Are you going to tell me why you've been to Portugal?
Banda: That's my business.
Brown: In fact you're going to tell me nothing at all.
Banda: Nothing at all.
Brown: So it's a singularly fruitless interview?
Banda: Well, it's up to you.
Brown: Thank you very much.”

Hastings Banda (1898–1997) First president of Malawi

BBC Training "Interviews from hell" http://www.bbctraining.com/modules/2604/hell2.html. BBC INFAX http://open.bbc.co.uk/catalogue/infax/programme/SX+28015_9
BBC Interview, 21 June 1962

“So hard to find my way,
Now that I'm all on my own.
I saw you just the other day,
My how you have grown,
Cast my memory back there, Lord
Sometimes I'm overcome thinking 'bout
Making love in the green grass
Behind the stadium with you
My brown eyed girl
You my brown eyed girl.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Brown Eyed Girl
Song lyrics, Blowin' Your Mind! (1967)

“Experience shows us that the air must have darkness beyond it and yet it appears blue. If you produce a small quantity of smoke from dry wood and the rays of the sun fall on this smoke, and if you then place behind the smoke a piece of black velvet on which the sun does not shine, you will see that all the smoke which is between the eye and the black stuff will appear of a beautiful blue colour. And if instead of the velvet you place a white cloth smoke, that is too thick smoke, hinders, and too thin smoke does not produce, the perfection of this blue colour. Hence a moderate amount of smoke produces the finest blue.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), VII On the Proportions and on the Movements of the Human Figure

“Hugo [Claus], Now you should see my recent works. A drawing in ink, three pencil drawings and two sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I still have to work on the landscape, but I really think it will be the best of my paintings till now.... but the happiest thing is, I have acquired much more freedom.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960

“Landscapes are useful to a figure painter, too; out-of-doors one uses colours one would never think of in the weaker studio light. But landscape painting is a thankless job; you waste half a day for the sake of one hour's painting. You only finish one painting out of ten, because the weather keeps changing. You start work on a sunlight effect and it comes on to rain – or you had a few clouds in the sky, and the wind blows them away. It's always the same story!”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 196 : on painting landscape in open air, to art-buyer George Riviere.

“It is the hour when the swarm of malevolent dreams
Makes sun-browned adolescents writhe upon their pillows.”

Charles Baudelaire book Les Fleurs du mal

C'était l'heure où l'essaim des rêves malfaisants
Tord sur leurs oreillers les bruns adolescents.
"Le Crépuscule du Matin" [Morning Twilight] http://fr.wikisource.org/wiki/Le_cr%C3%A9puscule_du_matin
Les fleurs du mal (Flowers of Evil) (1857)

“When the birds sing outside
And you see the trees
Changing into green
The sun invites one
To be out in the open air.
When the sky is so blue, then,
Oh! Then I wish for so much!.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, The Millennium Bell (1999)

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