Howard Zinn on War (2000), Ch. 14: Vietnam: A Matter of Perspective http://www.thirdworldtraveler.com/Zinn/Vietnam_Perspective_HZOW.html
Context: Scholars, who pride themselves on speaking their minds, often engage in a form of self-censorship which is called "realism." To be "realistic" in dealing with a problem is to work only among the alternatives which the most powerful in society put forth. It is as if we are all confined to a, b, c, or d in the multiple choice test, when we know there is another possible answer. American society, although it has more freedom of expression than most societies in the world, thus sets limits beyond which respectable people are not supposed to think or speak. So far, too much of the debate on Vietnam has observed these limits.
“A woman living with her mother has limited freedom; a man living with his mother has limited freedom and limited respect. For most men, the vacuum (of no support system) is so devastating, they’d rather agree with their wife than express their feelings and risk emotional withdrawal.”
Women Can't Hear What Men Don't Say (2000)
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Women Can't Hear What Men Don't Say (2000)
Tragedy of the Commons, 1968.
Tragedy of the Commons (1968)
Context: Circumstances have been such, that I have lived almost entirely secluded for some time. Those who are much in earnest and with single minds devoted to any great object in life, must find this occasionally inevitable.... You will wonder at having heard nothing from me; but you have experience and candour enough to perceive and know that God has not given to us (in this state of existence) more than very limited powers of expression of one's ideas and feelings... I shall be very desirous of again seeing you. You know what that means from me, and that it is no form, but the simple expression and result of the respect and attraction I feel for a mind that ventures to read direct in God's own book, and not merely thro' man's translation of that same vast and mighty work.
In a letter to Andrew Crosse, as quoted in Eugen Kölbing's Englische Studien, Volume 19 https://archive.org/stream/englischestudien19leipuoft#page/157/mode/1up (1894), Leipzig; O.R. Reisland, "Byron's Daughter", p. 157.
"Mother Love", p. 61
Savage Survivals (1916), Wild Survivals in Domesticated Animals
Source: Martin Eden (1909), Ch. VIII
Context: It was just such uniqueness of points of view that startled Ruth. Not only were they new to her, and contrary to her own beliefs, but she always felt in them germs of truth that threatened to unseat or modify her own convictions. Had she been fourteen instead of twenty-four, she might have been changed by them; but she was twenty-four, conservative by nature and upbringing, and already crystallized into the cranny of life where she had been born and formed. It was true, his bizarre judgments troubled her in the moments they were uttered, but she ascribed them to his novelty of type and strangeness of living, and they were soon forgotten. Nevertheless, while she disapproved of them, the strength of their utterance, and the flashing of eyes and earnestness of face that accompanied them, always thrilled her and drew her toward him. She would never have guessed that this man who had come from beyond her horizon, was, in such moments, flashing on beyond her horizon with wider and deeper concepts. Her own limits were the limits of her horizon; but limited minds can recognize limitations only in others. And so she felt that her outlook was very wide indeed, and that where his conflicted with hers marked his limitations; and she dreamed of helping him to see as she saw, of widening his horizon until it was identified with hers.
Variant: The human face has limited space. If you fill it with laughter there will be no room for crying.
Source: A Fine Balance
“Every man has seen the wall that limits his mind.”
Tout homme a vu le mur qui borne son esprit.
Poèmes philosophiques, "La flute", line 108; (ed.) Paul Viallaneix Oeuvres complètes (1965) p. 103; translation from Jason Merchey Values of the Wise (2004) p. 200. (1843).
The Liberation Crunch: Getting the Worst of Both Worlds, p. 161
The New Male (1979)