“As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface... Now I have lost all fear, and begin to draw on the black surface.”

— Hans Arp

Hans Arp's quote on drawing on the black surface; as quoted in Search for the Real, Hans Hofmann, Addison Gallery of modern Art, 1948
1940s

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Hans Arp 42

Alsatian, sculptor, painter, poet and abstract artist 1886–1966

Hans Hofmann (1880–1966) American artist

Robert Motherwell, in a catalog note to the show Black or White (1950)
Misattributed

“"Now I have lost all fear, and begin to draw on the black surface'" (Arp). Only love — for painting, in this instance — is able to cover the fearful void.”

Hans Hofmann (1880–1966) American artist

Robert Motherwell, partly quoting Jean Arp, in Motherwell & black (1981) p. 94 -->
Misattributed

“Only now [1943] I become conscious that my work in black, white and little color planes has been merely 'drawing' in oil color. In drawing, the lines are the principal means of expressions... In painting, however, the lines are absorbed by the color planes; but the limitations of the planes show themselves as lines and conserve their great value.”

Piet Mondrian (1872–1944) Peintre Néerlandais

note from his postcard, late May 1943; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's

“In its beginnings, the credit system sneaks in as a modest helper of accumulation and draws by invisible threads the money resources scattered all over the surface of society into the hands of individual or associated capitalists. But soon it becomes a new and formidable weapon in the competitive struggle, and finally it transforms itself into an immense social mechanism for the centralisation of capitals.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. I, Ch. 25, Section 2, pg. 687.
(Buch I) (1867)

“You know when it comes to racism, people say: " I don't care if they're black, white, purple or green"… Ooh hold on now: Purple or Green? You gotta draw the line somewhere! To hell with purple people!”

Mitch Hedberg (1968–2005) American stand-up comedian

Unless they're suffocating - then help'em.
Just For Laughs: On The Edge - 2002

“If a man has not studied painting, or at any rate black and white drawing, his eyes are wild; learning to draw tames them. The first step towards taming the eyes is to teach them not to see too much.”

Samuel Butler (1835–1902) novelist

Seeing
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

“Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all-in at once. Time is inseparable from surface.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

Quote in Macke's letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145

“All things come to me in black and white like virtue and crime. Yes, black and white are the two elements which concern me. It is my fortune, or misfortune, that I can see neither all in black nor all in white... I cannot help realizing both, for only in the two, only in black and white, can I see God as a unity creating again and again a great and eternally changing terrestrial drama.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), pp. 13-14

“Experience has convinced me that the proper way of teaching is to bring together that which is simple from all quarters, and, if I may use such a phrase, to draw upon the surface of the subject a proper mean between the line of closest connexion and the line of easiest deduction.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

This was the method followed by Euclid, who, fortunately for us, never dreamed of a geometry of triangles, as distinguished from a geometry of circles, or a separate application of the arithmetics of addition and subtraction; but made one help out the other as he best could.
The Differential and Integral Calculus (1836)

“I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.”

Coco Chanel (1883–1971) French fashion designer

As quoted in Chanel (1987) by Jean Leymarie
Context: Women think of all colors except the absence of color. I have said that black has it all. White too. Their beauty is absolute. It is the perfect harmony.

“As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface... Now I have lost all fear, and begin to draw on the black surface.”

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Hans Arp 42

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