“I've kind of made Jack a hero that I would like to have looked up to as a little boy because as a little boy, I knew I was gay but I didn't know what it was. Didn't know who to talk to about it. … I wanted kids to like him, and I wanted women, men, I wanted everyone to like him. But first I wanted people to hate him. I wanted them to think he was arrogant and pushy and too sure of himself. And I wanted them to follow the arc of the change he went through in the final episodes of Doctor Who.”

Source: In the Ravine (1900), Ch. 6, pp. 216

Source: Blood Rites

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Source: My Name Is Memory

Interview: Director Jordan Vogt-Roberts on Resurrecting an Icon for KONG: SKULL ISLAND http://dailydead.com/interview-director-jordan-vogt-roberts-on-resurrecting-an-icon-for-kong-skull-island/ (March 9, 2017)

2010s, 2016, July, This Week Interview (July 30, 2016)

On Pete Wentz
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