Book VII : Modern Times, Ch. IX : The Final Consequences
Penguin Island (1908)
Context: Penguinia gloried in its wealth. Those who produced the things necessary for life, wanted them; those who did not produce them had more than enough. "But these," as a member of the Institute said, "are necessary economic fatalities." The great Penguin people had no longer either traditions, intellectual culture, or arts. The progress of civilisation manifested itself among them by murderous industry, infamous speculation, and hideous luxury. Its capital assumed, as did all the great cities of the time, a cosmopolitan and financial character. An immense and regular ugliness reigned within it. The country enjoyed perfect tranquillity. It had reached its zenith.
“The people who’ve done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] — who want to make the kind of movies that producers want to produce. People who don’t succeed — people who’ve had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever — are the people who didn’t want to make the kind of pictures that producers want to make. Producers didn’t want to make a Renoir picture, even if it was a success.”
Quoted in The Orson Welles Story.
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Orson Welles 53
American actor, director, writer and producer 1915–1985Related quotes
“Those who do not want to imitate anything, produce nothing.”
Colonel Sanders: The Autobiography of the Original Celebrity Chef
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 183: Serge Fauchereau (1988) in Arp, p. 20 commented: 'Even though his work was nonrepresentational, Arp disapproved of the term 'abstract art' being applied to it, as he often explained with the above quote'.
Context: We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art.
“I pity the man who wants a coat so cheap that the man or woman who produces the cloth”
Speech in Rutland, Vermont (28 August 1891) as reported in The New York Times (29 August 1891), p. 5 http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9D01E0DD1339E033A2575AC2A96E9C94609ED7CF
Context: I cannot always sympathize with that demand which we hear so frequently for cheap things. Things may be too cheap. They are too cheap when the man or woman who produces them upon the farm or the man or woman who produces them in the factory does not get out of them living wages with a margin for old age and for a dowry for the incidents that are to follow. I pity the man who wants a coat so cheap that the man or woman who produces the cloth or shapes it into a garment will starve in the process.
Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 103.
Interviews
Interview, "My Afternoon with Frank Zappa", Larry Rogak, (New York writer and attorney) Zappa.com (May 8, 1980) http://www.zappa.com/messageboard/viewtopic.php?f=4&t=11831
“MAKE MONEY. MAKE MORE MONEY. MAKE OTHER PEOPLE PRODUCE SO AS TO MAKE MORE MONEY.”
"Principles of Money Management" (9 March 1972).
Scientology Policy Letters