“Wherever I am, the world comes after me.
It offers me its busyness. It does not believe
that I do not want it. Now I understand
why the old poets of China went so far and high
into the mountains, then crept into the pale mist.”

1920s, Truth is a Pathless Land (1929)
Context: Your prejudices, your fears, your authorities, your churches new and old – all these, I maintain, are a barrier to understanding. I cannot make myself clearer than this. I do not want you to agree with me, I do not want you to follow me, I want you to understand what I am saying. “This understanding is necessary because your belief has not transformed you but only complicated you, and because you are not willing to face things as they are. You want to have your own gods – new gods instead of the old, new religions instead of the old, new forms instead of the old – all equally valueless, all barriers, all limitations, all crutches. Instead of old spiritual distinctions you have new spiritual distinctions, instead of old worships you have new worships. You are all depending for your spirituality on someone else, for your happiness on someone else, for your enlightenment on someone else; and although you have been preparing for me for eighteen years, when I say all these things are unnecessary, when I say that you must put them all away and look within yourselves for the enlightenment, for the glory, for the purification, and for the incorruptibility of the self, not one of you is willing to do it. There may be a few, but very, very few. So why have an organization?

2010-, Digital Activism in China, 2010

Pt. III, The Lover's Errand.
The Courtship of Miles Standish (1858)

The Diary of Samuel Marchbanks (1947)

As quoted in "Change of Pace"
Baseball-related, <big><big>1960s</big></big>, <big>1963</big>

Interview in 3 A.M Magazine (2002) http://www.3ammagazine.com/litarchives/2002_sep/interview_michel_faber.html
Context: Trust is absolutely precious, and its betrayal horrifies me. I do want readers to trust me. And yet I don't want to offer them a safe, predictable ride. The literary scene seems to be divided between "trustworthy" authors who give their fans a Big Mac that's totally unchallenging, and more ambitious authors who treat their readers with high-handed indifference. I want to earn the reader's trust while remaining unpredictable. I take the reader to some dark and emotionally uncomfortable places but never just for the sake of it. And I do care about how you're feeling on your journey. Many people have remarked on how readable and engaging they found The Crimson Petal despite its great length. That wasn't accidental. I thought very carefully about how to keep the reader intimate and awake.

Variant: When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.

Abandonment (1937), as quoted in Understanding Vietnam by Neil L. Jamieson (University of California Press, 1995), ISBN 978-0520916586, pp. 158–159

Act 1
The Devil and the Good Lord (1951)