Susan Cheever, "A Designated Crazy," The New York Times Book Review, June 20, 1993. (Reviewing Kaysen's Girl, Interrupted.)
On Girl, Interrupted
“Men make angry music and it's called rock-and-roll; women include anger in their vocabulary and suddenly they're angry and militant.”
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Ani DiFranco 91
musician and activist 1970Related quotes

2011, Interview with C. S. S. Latha, 2011
Context: I am not religious. I go to the temple on the Gujarat New Year day. I can't claim to be spiritual because it's a very profound epithet. But, I like it when I get to read or hear anything related to the spiritual world. I have been practicing yoga and meditation for many years. Detachment is something I believe in practising for my spiritual self. In fact, with great difficulty, I have torn myself away from pursuing mendicancy in totality to be a part of this world. The call of the Himalayas has been put on the back burner. When the time is right, it is like crossing from one room to the other for me. You will be surprised to know that despite having lived in this house for 10 years now, until of late, I didn't even know how the entire house looked. I only used spaces like my office, bedroom, dining room and the study. Only when recently there was a move to relocate my library did I take a tour of the rest of the building. That is what I mean by detachment. And, what makes me angry? That's the problem. I don't get angry, but have to enact anger in order to get work done.
“Anger has been ready to be angry.”
#438
Vectors: Aphorisms and Ten Second Essays (2001)

Interview in Musician (March 1984), p. 66-68

“Be angry at the sun for setting
If these things anger you.”
"Be Angry At The Sun" (1941)
Context: That public men publish falsehoods
Is nothing new. That America must accept
Like the historical republics corruption and empire
Has been known for years.
Be angry at the sun for setting
If these things anger you.

2010s, 2016, November, New York Times Interview (November 23, 2016)

Pop Chronicles, Show 7 - The All American Boy: Enter Elvis and the rock-a-billies. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19754/m1/, interview recorded 1956 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

An Open Letter To Miles Davis (1955)
Context: I think my own way. I don't think like you and my music isn't meant just for the patting of feet and going down backs. When and if I feel gay and carefree, I write or play that way. When I feel angry I write or play that way — or when I'm happy, or depressed, even.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever. Music is, or was, a language of the emotions. If someone has been escaping reality, I don't expect him to dig my music, and I would begin to worry about my writing if such a person began to really like it. My music is alive and it's about the living and the dead, about good and evil. It's angry, yet it's real because it knows it's angry.