“There is no real ending. It’s just the place where you stop the story.”

Lemony Snicket
The Carnivorous Carnival (2002)

From "Dio's Live At The Spectrum" http://www.youtube.com/watch?v=QwX8yF8k0ls

Vol. I, Part 1, [The Materialist Conception of History].
The German Ideology (1845/46)
Context: Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place. When reality is depicted, philosophy as an independent branch of activity loses its medium of existence. At the best its place can only be taken by a summing-up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its separate strata. But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epochs of history. On the contrary, our difficulties begin only when we set about the observation and the arrangement — the real depiction — of our historical material, whether of a past epoch or of the present.

Source: god is Not Great: How Religion Poisons Everything

(29 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: At some point, I stopped and made the following note to myself: I have never finished a story. I'm beginning to see that now. I don't think that there's ever a point where a story or novel is just exactly right. There are only finer and lesser degrees of refinement, and even those are probably subjective. You might think it's perfect for a time, but read it a year or five years later, and you'll see you were mistaken. There's always something I can make better, every time I read one of my stories. Usually there are dozens of somethings. And I once thought this wasn't true, that a story reached a certain point and beyond that point you were only changing things, making them different, not making them better. Indeed, I thought, beyond a point, you risk screwing it all up. I don't think that anymore. You risk screwing it all up right from the start, and no story is ever as perfect as it can be. Perfection is always one or two polishes away from the writer.

Source: Crush

On Beyond Zebra! (1955)

2000s, 2001, First inaugural address (January 2001)
Context: We have a place, all of us, in a long story. A story we continue, but whose end we will not see. It is the story of a new world that became a friend and liberator of the old, a story of a slave-holding society that became a servant of freedom, the story of a power that went into the world to protect but not possess, to defend but not to conquer. It is the American story, a story of flawed and fallible people, united across the generations by grand and enduring ideals. The grandest of these ideals is an unfolding American promise that everyone belongs, that everyone deserves a chance, that no insignificant person was ever born. Americans are called to enact this promise in our lives and in our laws. And though our nation has sometimes halted, and sometimes delayed, we must follow no other course.