Roger Ebert cytaty (265 cytatów, strona 8)

Roger Ebert: 265 cytatów0 Polubień

Roger Ebert cytaty

„Shrek jest rubaszny i złośliwy, a mimo to ma duszę.”

Źródło: John Hopkins, Shrek. Zielona strona ekranu, tłum. Patryk Gołębiowski i Bartosz Wierzbięta, Wydawnictwo G+J, Warszawa 2004, ISBN 8389221683, s. 33.

Roger Ebert: Cytaty po angielsku

“In the upstairs bedroom, old Ann dies very slowly, remembering the events of the long-ago wedding night and the next morning… She is attended by a nurse with an Irish accent (Eileen Atkins), who sometimes prompts her: "Remember a happy time!" Dissolve to Ann's memory of a happy time. It is so mundane that if it qualifies as a high point in her life, it compares with Paris Hilton remembering a good stick of gum.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/evening-2007 of Evening (29 June 2007) Reviews, One-and-a-half star reviews

“We'll probably be debating A Clockwork Orange for a long time — a long, weary and pointless time. The New York critical establishment has guaranteed that for us. They missed the boat on 2001, so maybe they were trying to catch up with Kubrick on this one. Or maybe the news weeklies just needed a good movie cover story for Christmas.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/a-clockwork-orange-1972 of A Clockwork Orange (11 February 1972) Reviews, Two star reviews

“They say baseball is popular because everyone thinks they can play it. Similar reasoning may explain the popularity of the Olsen twins: Teenage girls love them because they believe they could be them. What, after all, do Mary-Kate and Ashley do in New York Minute that could not be done by any reasonably presentable female adolescent? Their careers are founded not on what they do, but on the vicarious identification of their fans, who enjoy seeing two girls making millions for doing what just about anybody could do.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/new-york-minute-2004 of New York Minute (7 May 2004) Reviews, One-and-a-half star reviews

“Catholicism made me a humanist before I knew the word. When people rail against “secular humanism,” I want to ask them if humanism itself would be okay with them if it wasn’t so secular. Then I want to ask, “Why do you think it is secular?” This would lead to my opinion that their beliefs were not humanist.”

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Roger Ebert

Źródło: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom; but the energy she brings to her role is less awesome than discouraging. If you have to work this hard at sexual freedom, maybe it isn't worth the effort.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/deep-throat-1973 of Deep Throat (6 March 1973) Reviews, No star rating

“The movie, as everyone knows, is about a man who finds himself living the same day over and over and over again. He is the only person in his world who knows this is happening, and after going through periods of dismay and bitterness, revolt and despair, suicidal self-destruction and cynical recklessness, he begins to do something that is alien to his nature. He begins to learn.”

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Roger Ebert

Review https://www.rogerebert.com/reviews/great-movie-groundhog-day-1993 of Groundhog Day Reviews, Four star reviews

“These aren't nerds. They're a bunch of interesting guys, and that's the problem with Revenge of the Nerds II. The movie doesn't have the nerve to be about real nerds. It hedges its bets. A nerd is not a nerd because he understands computers and wears a plastic pen protector in his shirt pocket. A nerd is a nerd because he brings a special lack of elegance to life. An absence of style. An inability to notice the feelings of other people. A nerd is a nerd from the inside out, which is something the nerds who made this movie will never understand.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/revenge-of-the-nerds-ii-nerds-in-paradise-1987 of Revenge of the Nerds II: Nerds in Paradise (13 July 1987) Reviews, One-and-a-half star reviews

“Basic Instinct 2 is not good in any rational or defensible way, but not bad in irrational and indefensible ways. I savored the icy abstraction of the modern architecture, which made the people look like they came with the building. I grinned at that absurd phallic skyscraper that really does exist in London. I liked the recklessness of the sex-and-speed sequence that opens the movie (and, curiously, looks to have been shot in Chicago). I could appreciate the plot once I accepted that it was simply jerking my chain. You can wallow in it … Footnote No. 2: My 1-1/2-star rating is like a cold shower, designed to take my mind away from giving it four stars.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/basic-instinct-2-2006 of Basic Instinct 2 (31 March 2006) Reviews, One-and-a-half star reviews

“Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/rollerball-2002 of the 2002 film Rollerball (8 February 2002) Reviews, Half-star reviews

“Philip Kaufman's Twisted walks like a thriller and talks like a thriller, but it squawks like a turkey.
But back to deus ex machina. This is a phrase you will want to study and master, not merely to amaze friends during long bus journeys but because it so perfectly describes what otherwise might take you thousands of words. Imagine a play on a stage. The hero is in a fix. The dragon is breathing fire, his sword is broken, his leg is broken, his spirit is broken, and the playwright's imagination is broken. Suddenly there is the offstage noise of the grinding of gears, and invisible machinery lowers a god onto the stage, who slays the dragon, heals the hero, and fires the playwright. He is the "god from the machine."”

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Roger Ebert

Review http://www.rogerebert.com/reviews/twisted-2004 of Twisted (27 February 2004) Reviews, Two star reviews

“Some of the acting is better than the film deserves. Make that all of the acting. Actually, the film stock itself is better than the film deserves. You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/revolver-2007 of Revolver (7 December 2007) Reviews, Half-star reviews

“Many readers have informed me that it is a tragic and dreary business to go into death without faith. I don’t feel that way. “Faith” is neutral. All depends on what is believed in.”

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Roger Ebert

Źródło: Life Itself : A Memoir (2011), Ch. 55 : Go Gently

“I do not often attribute motives to audience members, nor do I try to read their minds, but the people who were sitting around me on Monday morning made it easy for me to know what they were thinking. They talked out loud. And if they seriously believed the things they were saying, they were vicarious sex criminals.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/i-spit-on-your-grave-1980 of I Spit on Your Grave (16 July 1980) Reviews, Zero star reviews

“Now that we know Quentin Tarantino can make a movie like Reservoir Dogs, it's time for him to move on and make a better one.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/reservoir-dogs-1992 of Reservoir Dogs (26 October 1992) Reviews, Two-and-a-half star reviews

“No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/extremely-loud-and-incredibly-close-2012 of Extremely Loud and Incredibly Close (18 January 2012) Reviews, Two-and-a-half star reviews

“Of what use is freedom of speech to those who fear to offend?”

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Roger Ebert

Roger Ebert's Movie Home Companion (1990 Edition), p. 735

“Art is the closest we can come to understanding how a stranger really feels.”

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Roger Ebert

"Living Testament" speech http://video.cpt12.org/video/2364991008 at 11th Hour, Colorado Public Television (1994)

“Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"… as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/saving-silverman-2001 of Saving Silverman (9 February 2001) Reviews, Half-star reviews