Oscar Niemeyer cytaty (18 cytatów) | Cytaty sławnych ludzi

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Minha Arquitetura

Oscar Niemeyer

Oscar Niemeyer: 18 cytatów0 Polubień

Oscar Niemeyer słynne cytaty

„Architektura nie zmienia niczego; życie zmienia świat znacznie bardziej niż architektura. Myślę – i zawsze to mówię moim kolegom, studentom – że, aby być dobrym architektem, nie wystarczy ukończyć edukację. Przede wszystkim, aby naprawdę być architektem, być kreatywnym, trzeba poznać życie ludzi, ich nędzę, ich cierpienie. (…) Trzeba zrozumieć, że to bardzo ważne, aby zmieniać świat.”

Oscar Niemeyer

Źródło: Paweł M. Krzaczkowski, Sama architektura może zdziałać niewiele, krytykapolityczna.pl, 10 grudnia 2012 http://www.krytykapolityczna.pl/artykuly/kultura/20121210/niemeyer-sama-architektura-moze-zdzialac-niewiele

„Wszyscy są równi; ludzie przychodzą na świat, opowiadają swoją małą historię, i odchodzą.”

Oscar Niemeyer

„Nie interesują mnie kąty proste ani wymyślone przez człowieka linie proste, sztywne i bezduszne. Interesują mnie krzywizny, swobodne i zmysłowe, takie, jakie spostrzegam w górzystych krajobrazach mojej ojczyzny, meandrujących rzekach, falującym morzu i ciele kobiety, którą kocham.”

Oscar Niemeyer książka Minha Arquitetura

Não é o ângulo reto que me atrai, nem a linha reta, dura, inflexível, criada pelo homem. O que me atrai é a curva livre e sensual, a curva que encontro nas montanhas do meu país, no curso sinuoso dos seus rios, nas ondas do mar, no corpo da mulher preferida. (port.)
o zasadach swojej architektury.
Źródło: Minha arquitetura

„Szanuję każdą architekturę, od chłodu Miesa van der Rohe po majaki Gaudiego.”

Oscar Niemeyer

Źródło: Barnabas Calder, Casa das Canoas w: Mark Irving: 1001 budynków, które musisz zobaczyć, Publicat, Poznań 2010, ISBN 9788324595310, s. 494.

Oscar Niemeyer: Cytaty po angielsku

“I had some good opportunities. I was lucky to have had the chance to do things differently. Architecture is about surprise.”

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Oscar Niemeyer

Quoted in "Architect of Optimism," Angel Gurria-Quintana, Financial Times (2007-04-13).

“I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.”

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Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 169

“I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin.”

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Oscar Niemeyer

Quoted in "Gordon Bunshaft and Oscar Niemeyer: Pritzker Architecture Prize Laureates 1988" http://www.pritzkerprize.com/bunnei.htm#...about%20Oscar%20Niemeyer, pritzkerprize.com (1988).

“My ambition has always been to reduce a building’s support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life’s work.”

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Oscar Niemeyer

Quoted in "Architect of Optimism," Angel Gurria-Quintana, Financial Times (2007-04-13).

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

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Oscar Niemeyer

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

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Oscar Niemeyer

As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston Variant translations: It is not the right angle that attracts me, Nor the hard, inflexible straight line, man-made. What attracts me are free and sensual curves. The curves in my country’s mountains, In the sinuous flow of its rivers, In the beloved woman’s body. As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13) It is not the right angle that attracts me. nor the straight line, tough, inflexible, created by man. what attracts me is the free, sensual curve. the curve I find in the mountains of my country, in the sinuous course of its rivers, in the waves of the sea, in the clouds of the sky, in the body of the favourite woman. Of curves is made all the universe. As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1

“Life is very fleeting. It’s important to be gentle and optimistic. We look behind and think what we’ve done in this life has been good. It was simple; it was modest. Everyone creates their own story and moves on. That’s it. I don’t feel particularly important. What we create is not important. We’re very insignificant.”

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Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves" http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/architecture_and_design/article3035080.ece, Tom Dyckhoff, The Times Online (London, 2007-12-12).

“We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.”

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Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves," Tom Dyckhoff, The Times Online (London, 2007-12-12).

“I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete.… This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.”

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Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 62.

“Architecture was my way of expressing my ideals: to be simple, to create a world equal to everyone, to look at people with optimism, that everyone has a gift. I don’t want anything but general happiness. Why is that bad?”

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Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves", Tom Dyckhoff, The Times Online (London, 2007-12-12).

“My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."”

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Oscar Niemeyer

Źródło: Quoted in Tracy Metz, "'Form Follows Feminine': Niemeyer, 90, Is Still Going Strong," Architectural Record (December 1997), p. 35.

“Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.”

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Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 176.

“Humanity needs dreams to endure misery, even if just for an instant.”

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Oscar Niemeyer

Oryginał: (pt) Quoted in Ciro Faro, De volta para a terra
Oryginał: A humanidade precisa de sonhos para suportar a miséria, nem que seja por um instante.

“It's funny, the power of beauty, to make us forget such injustice.”

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Oscar Niemeyer

Oryginał: (pt) É estranho o poder da beleza, que nos faz esquecer tanta injustiça.
Źródło: Quoted in Alberto Xavier, Depoimento de uma geração: arquitetura moderna brasileira