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Murasaki Shikibu cytaty

Murasaki Shikibu – pseudonim japońskiej pisarki i poetki z okresu Heian. Zaliczana do Trzydziestu Sześciu Mistrzyń Poezji.

Jej prawdziwe imię jest nieznane. Była córką uczonego konfucjanisty, arystokraty i urzędnika administracji cesarskiej, Tametoki Fujiwary. Przyjmuje się, że jej imię pochodzi od jednej z jej bohaterek, Murasaki no Ue lub od koloru murasaki . Natomiast Shikibu pochodzi od nazwy tytułu i stanowiska jej ojca, mistrza ceremonii w Ministerstwie Ceremonii . Prawdopodobnie jej imię własne brzmiało Takako. W 998 roku wyszła za mąż za Nobutakę Fujiwarę. Z małżeństwa tego miała jedno dziecko, córkę o imieniu Kenshi , również znaną poetkę i jedną z Trzydziestu Sześciu Mistrzyń Poezji.

Od dzieciństwa miała kontakt z chińską i japońską poezją, gdyż jej przodkowie tradycyjnie mieli zainteresowania naukowe i artystyczne. Od około 1006 roku wraz z Ise no Taifu , Akazome Emon i Izumi Shikibu służyła jako dama dworu cesarzowej Shōshi, małżonce cesarza Ichijō.

Najwybitniejszym dziełem damy Murasaki jest Genji monogatari , napisana najprawdopodobniej w 1008 roku. Jest ona uznawana za pierwszą powieść w literaturze światowej oraz największe dzieło starożytnej literatury japońskiej. Z 54 zwojów aż 42 poświęconych jest tytułowemu księciu Genji. Obejmuje zdarzenia z ok. 70 lat. Występuje w niej kilkaset postaci. Losy bohaterów opisane są na tle wydarzeń społecznych i politycznych. Dzięki temu dzieło jest przedmiotem nieustających badań historyków. Na całym świecie napisano już tysiące opracowań i prac naukowych nt. Genji monogatari.

Między rokiem 1008 i 1010 Murasaki spisywała też dziennik – Murasaki Shikibu nikki zawierający opisy uroczystości dworskich i obserwacji życia arystokracji. Dzieło wypełnione jest osobistymi przeżyciami i refleksjami autorki.

W zbiorach Chokusen-shū , antologiach poezji powstałej na rozkaz cesarza, zamieszczono łącznie 59 poematów Murasaki. Wikipedia  

✵ 973 – 1014
Murasaki Shikibu Fotografia

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Genji monogatari
Murasaki Shikibu
Genji monogatari
Murasaki Shikibu
Murasaki Shikibu: 25 cytatów0 Polubień

Murasaki Shikibu cytaty

„[Sztuka powieści] jest możliwa, ponieważ dobre czy złe doświadczenia opowiadającego wśród ludzi i rzeczy – nie tylko jego własne przeżycia, ale także zdarzenia, których był świadkiem, albo o których mu opowiadano – wzbudziły w nim tyle namiętności i uczucia, że nie potrafi już dłużej trzymać ich zamkniętych w swoim sercu.”

Murasaki Shikibu książka Genji monogatari

Opowieść o księciu Genji (jap. Genji monogatari), rozdz. 25: Świetliki (jap. Hotaru), tłumaczenie oparte na angielskim przekładzie Arthura Waleya.
Źródło: Deborah G. Felder, 100 kobiet, które miały największy wpływ na dzieje ludzkości, Świat Książki, Warszawa 1998, ISBN 8371296665, s. 233, tłum. Maciej Świerkocki.

Murasaki Shikibu: Cytaty po angielsku

“Real things in the darkness seem no realer than dreams.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 1: Kiritsubo

“The world know it not; but you, Autumn, I confess it: your wind at night-fall stabs deep into my heart”

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Murasaki Shikibu książka Genji monogatari

Źródło: The Tale of Genji

“Autumn is no time to lie alone”

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Murasaki Shikibu książka Genji monogatari

The Tale of Genji

“The sadness of things.”

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Murasaki Shikibu książka Genji monogatari

Passim. Cf. Lacrimae rerum.
Variant translations:
The pathos of things.
A sensitivity to things.
The sorrow of human existence.
Tale of Genji

“No art or learning is to be pursued halfheartedly," His Highness replied, "…and any art worth learning will certainly reward more or less generously the effort made to study it.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, Ch. 17: Eawase (trans. Royall Tyler)
Źródło: The Tale of Genji

“Ceaseless as the interminable voices of the bell-cricket, all night till dawn my tears flow.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 1

“Sei Shōnagon is a smug and horrible person. She acts so smart and is always writing in true [Chinese] characters, but if you look closely, you can find lots of mistakes. People who try that hard to be different from everyone else always end up falling behind, with trouble waiting in their future; and people who are that affected act all mono no aware and attend all the interesting events even when they're lonely and bored, so that in the end the affectation stops being an act. How exactly are things going to end well for a person like that?”

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Murasaki Shikibu książka The Diary of Lady Murasaki

source http://no-sword.jp/blog/2010/03/iced_cream.html <br class="br">The Diary of Lady Murasaki

“I have never thought there was much to be said in favor of dragging on long after all one's friends were dead.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 29: The Royal Visit

“It is in general the unexplored that attracts us.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 9: Aoi

“Seeing the water birds on the lake increase in number day by day, I thought to myself how nice it would be if it snowed before we got back to the Palace—the garden would look so beautiful; and then, two days later, while I was away on a short visit, lo and behold, it did snow. As I watched the rather drab scene at home, I felt both depressed and confused. For some years now I had existed from day to day in listless fashion, taking note of the flowers, the birds in song, the way the skies change from season to season, the moon, the frost and snow, doing little more than registering the passage of time. How would it all turn out? The thought of my continuing loneliness was unbearable, and yet I had managed to exchange sympathetic letters with those of like mind—some contacted via fairly tenuous connections—who would discuss my trifling tales and other matters with me; but I was merely amusing myself with fictions, finding solace for my idleness in foolish words. Aware of my own insignificance, I had at least managed for the time being to avoid anything that might have been considered shameful or unbecoming; yet here I was, tasting the bitterness of life to the very full.”

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Murasaki Shikibu książka The Diary of Lady Murasaki

trans. Richard Bowring (Penguin Books, 1996)
The Diary of Lady Murasaki

“To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do: whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?”

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Murasaki Shikibu książka The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“Unforgettably horrible is the naked body. It really does not have the slightest charm.”

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Murasaki Shikibu książka The Diary of Lady Murasaki

The Diary of Lady Murasaki

“I have finally realized how rarely you will find a flawless woman, one who is simply perfect. No doubt there are many who seem quite promising, write a flowing hand, give you back a perfectly acceptable poem, and all in all do credit enough to the rank they have to uphold, but you know, if you insist on any particular quality, you seldom find one who will do. Each one is all too pleased with her own accomplishments, runs others down, and so on. While a girl is under the eye of her adoring parents and living a sheltered life bright with future promise, it seems men have only to hear of some little talent of hers to be attracted. As long as she is pretty and innocent, and young enough to have nothing else on her mind, she may well put her heart into learning a pastime that she has seen others enjoy, and in fact she may become quite good at it. And when those who know her disguise her weaknesses and advertise whatever passable qualities she may have so as to present them in the best light, how could anyone think ill of her, having no reason to suspect her of being other than she seems? But when you look further to see whether it is all true, I am sure you can only end up disappointed.”

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Murasaki Shikibu książka Genji monogatari

Spoken by Tō no Chūjō in Ch. 2: The Broom Tree (trans. Royall Tyler)
Tale of Genji

“[The art of the novel] does not simply consist in the author's telling a story about the adventures of some other person. On the contrary, it happens because the storyteller's own experience of men and things, whether for good or ill—not only what he has passed through himself, but even events which he has only witnessed or been told of—has moved him to an emotion so passionate that he can no longer keep it shut up in his heart.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 25: The Glow-Worm

“Though the snow-drifts of Yoshino were heaped across his path, doubt not that whither his heart is set, his footsteps shall tread out their way.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 19: A Wreath of Cloud

“Anything whatsoever may become the subject of a novel, provided only that it happens in this mundane life and not in some fairyland beyond our human ken.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 25

“So all they see of me is a façade. There are times when I am forced to sit with them and on such occasions I simply ignore their petty criticisms, not because I am particularly shy but because I consider it pointless. As a result, they now look upon me as a dullard.
"Well, we never expected this!" they all say. "No one liked her. They all said she was pretentious, awkward, difficult to approach, prickly, too fond of her tales, haughty, prone to versifying, disdainful, cantankerous and scornful; but when you meet her, she is strangely meek, a completely different person altogether!"
How embarrassing! Do they really look upon me as such a dull thing, I wonder? But I am what I am. Her Majesty has also remarked more than once that she had thought I was not the kind of person with whom she could ever relax, but that I have now become closer to her than any of the others. I am so perverse and standoffish. If only I can avoid putting off those for whom I have a genuine regard.”

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Murasaki Shikibu książka The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“Does it not move you strangely, the love-bird's cry, tonight when, like the drifting snow, memory piles up on memory?”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 20: Asagao

“When my brother… was a young boy learning the Chinese classics, I was in the habit of listening with him and I became unusually proficient at understanding those passages that he found too difficult to grasp and memorize. Father, a most learned man, was always regretting the fact: "Just my luck!" he would say. "What a pity she was not born a man!" But then I gradually realized that people were saying "It's bad enough when a man flaunts his Chinese learning; she will come to no good," and since then I have avoided writing the simplest [Chinese] character. My handwriting is appalling.”

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Murasaki Shikibu książka The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“One ought not to be unkind to a woman merely on account of her plainness, any more than one had a right to take liberties with her merely because she was handsome.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 36: Kashiwagi

“Think not that I have come in quest of common flowers; but rather to bemoan the loss of one whose scent has vanished from the air.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 41: Mirage

“You that in far-off countries of the sky can dwell secure, look back upon me here; for I am weary of this frail world's decay.”

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Murasaki Shikibu książka Genji monogatari

Źródło: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 40: The Law

“It is useless to talk with those who do not understand one and troublesome to talk with those who criticize from a feeling of superiority. Especially one-sided persons are troublesome. Few are accomplished in many arts and most cling narrowly to their own opinion.”

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Murasaki Shikibu książka The Diary of Lady Murasaki

In Diaries of Court Ladies of Old Japan
The Diary of Lady Murasaki

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