Margaret Atwood cytaty
strona 9

Margaret Eleanor „Peggy” Atwood – kanadyjska pisarka, poetka i krytyk literacki, aktywistka społeczna i ekologiczna. Zdobywczyni Nagrody Bookera w 2000 i 2019, laureatka Nagrody Księcia Asturii w 2008, wymieniana wśród kandydatów do literackiej Nagrody Nobla. Wikipedia  

✵ 18. Listopad 1939   •   Natępne imiona Margaret Eleanor Atwood
Margaret Atwood Fotografia
Margaret Atwood: 354   Cytaty 0   Polubień

Margaret Atwood słynne cytaty

„Dwa zła nie czynią jednego dobra.”

Źródło: Namiot (2006), tłum. Justyna Gardzińska

Margaret Atwood: Cytaty po angielsku

“I am alive, I live, I breathe, I put my hand out, unfolded, into the sunlight.”

Margaret Atwood książka The Handmaid's Tale

Źródło: The Handmaid's Tale

“I would rather dance as a ballerina, though faultily, than as a flawless clown.”

Margaret Atwood książka Surfacing

Lady Oracle (1976)
Źródło: Surfacing

“Like the trains, she's never on time and always departing.”

Margaret Atwood książka The Blind Assassin

Źródło: The Blind Assassin

“The animals have no need for speech, why talk when you are a word.”

Margaret Atwood książka Surfacing

Źródło: Surfacing

“You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.”

Margaret Atwood książka The Handmaid's Tale

Źródło: The Handmaid’s Tale (1985), Chapter 30 (pp. 194-195)
Źródło: The Handmaid's Tale
Kontekst: (She is reciting the Lord’s prayer) Now we come to forgiveness. Don’t worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don’t let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.

“But maybe boredom is erotic, when women do it, for men.”

Margaret Atwood książka The Handmaid's Tale

Źródło: The Handmaid’s Tale (1985), Chapter 13
Źródło: The Handmaid's Tale
Kontekst: These pictures were supposed to be erotic, and I thought they were, at the time; but I see now what they were really about. They were paintings about suspended animation; about waiting, about objects not in use. They were paintings about boredom. But maybe boredom is erotic, when women do it, for men.

“Amazing how the heart clutches at anything familiar, whimpering Mine! Mine!”

Margaret Atwood książka The Year of the Flood

Źródło: The Year of the Flood

“All I can hope for is a reconstruction: the way love feels is always only approximate.”

Margaret Atwood książka The Handmaid's Tale

Źródło: The Handmaid's Tale

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