ze stoickim spokojem w czasie bójek między zwolennikami a przeciwnikami kompozytora w czasie wykonania Święta wiosny w 1913 r.
Źródło: Janusz Ekiert, Czy wiesz? Zagadki muzyczne, Warszawa 1995, wyd. Alfa, s. 241.
Igor Strawinski:
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Cytatów
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Polubień
Igor Strawinski cytaty
Igor Strawinski: Cytaty po angielsku
Quoted in DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0130493465, Ch. 3. from Igor Stravinsky' Autobiography (1962). New York: W.W. Norton & Co., Inc., p. 54.
1970s and later
Źródło: 1970s and later, Themes and Conclusions (1982), p. 188.
Igor Stravinsky and Robert Craft (1962). Expositions and Developments.
1960s
Igor Stravinsky. "Subject: Music", New York Times Magazine, 9/27/64.
1960s
Expositions and Developments (1959), pp. 113-114
1950s
Igor Stravinsky (1936). An Autobiography, p. 53-54.
1930s
“Music's exclusive function is to structure the flow of time and keep order in it.”
Quoted by Géza Szamosi, The Twin Dimensions: Inventing Time and Space (New York, 1986), p. 232.
1970s and later
“My music is best understood by children and animals.”
Igor Stravinsky. The Observer, Oct 8, 1961.
1960s
Źródło: Themes and Conclusions (1982), p. 27: Dialogues.
“Composers combine notes, that's all.”
Źródło: 1970s and later, Themes and Conclusions (1982), p. 52 : Dialogues.
1962, quoted in Andriessen and Schoenberger, The Apollonian Clockwork (1989). Oxford: Oxford University Press.
1960s
Źródło: 1970s and later, Themes and Conclusions (1982), p. 33.
