“Art—the meaning of the pattern of our common actions in reality. The cloth-of-gold that hides behind the sackcloth of reality, forced out by the pain of human memory.”

— Lawrence Durrell , book Justine

Source: Justine

Last update June 3, 2021. History

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Lawrence Durrell 52

British novelist, poet, dramatist, and travel writer 1912–1990

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“Our common actions in reality are simply the sackcloth covering which hides the cloth-of-gold - the meaning of the pattern. For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential—the imagination.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Justine (1957)

“There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind

“I realized that all forms of religion are masks that the divine wears to communicate with us. Behind all religions there’s a reality, and this reality wears whatever clothes it needs to speak to a particular people.”

Zalman Schachter-Shalomi (1924–2014) American writer and activist, Jewish Renewal movement pioneer

The December Project: An Extraordinary Rabbi and a Skeptical Seeker Confront Life’s Greatest Mystery, with Sara Davidson.

“People don't like reality, they don't like common sense, until age forces it on them.”

Graham Greene book The Ministry of Fear

The Ministry of Fear (1943)

“That is the beauty of memory, isn’t it? Our reality is always clouded by our perceptions of truth. (Mnimi)”

Sherrilyn Kenyon Night Embrace

Source: Night Embrace

“If the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it.”

James Baldwin book The Fire Next Time

The Fire Next Time http://books.google.com/books?id=0S9TgXJ-aD0C&q=%22If+the+word+integration+means+anything+this+is+what+it+means+that+we+with+love+shall+force+our+brothers+to+see+themselves+as+they+are+to+cease+fleeing+from+reality+and+begin%22&pg=PA21#v=onepage (1963)

“Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; —example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Quote in: Fortunato Depero & Giacomo Balla 'The Futurist Reconstruction of the Universe' in: Direzione del Movimento Futurista, March 11, 1915. Transl. Caroline Tisdall, 1973.
1910's

“The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.”

Richard Wilbur (1921–2017) American poet

As quoted by John Gery in Ways of Nothingness: Nuclear Annihilation and Contemporary American Poetry (1996)
Context: In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.

“The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories—in short, out of our heads and into our hearts.”

Gloria Steinem (1934) American feminist and journalist

Source: My Life on the Road

“Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, 1914 from Wikipedia; as cited by Michel Seuphor, in 'Piet Mondrian: Life and Work;Abrams, New York, 1956, p. 117
1910's

“Art—the meaning of the pattern of our common actions in reality. The cloth-of-gold that hides behind the sackcloth of reality, forced out by the pain of human memory.”

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