“I do not use profanity in my novels. My characters all go to church.”

“Sometimes I don't know whether I'm real or whether I'm a character in one of my novels.”

“The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.”

“I do not believe in the creed professed by the Jewish church, by the Roman church, by the Greek church, by the Turkish church, by the Protestant church, nor by any church that I know of. My own mind is my own church.”

“We are all potentially characters in a novel--with the difference that characters in a novel really get to live their lives to the full.”

“Night is certainly more novel and less profane than day.”

“I am going to marry my novels and have little short stories for children.”

“One of the pleasures of writing novels is that my characters usually do something. But in real life we often stay locked in a situation that we know is painful or wrong.”

“I've rebelled against all types of conformity throughout my life, not just Utah's conservative culture. I rebelled against the Mormon church by going to other churches. I rebelled against my parents by not eating meat. I rebelled against my friends and myself by doing drugs. And I rebelled against everything that was holding me down by playing music with these guys.”

“No, I don’t think it’s correct to define my writing as fables. There are themes, yes, but I’m not trying to offer some categorical cure-it-all to the problematic situation of Man. I’m neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer’s block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character’s full expression. Such is the motive-force behind almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski.”