
“The sky itself is the eighth color of the rainbow, spread over the whole sky for us, all the time.”
Source: Galileo's Dream (2009), Ch. 15, p. 354
The Law of Mind (1892)
Context: In the case of colors, there is a tridimensional spread of feelings. Originally all feelings may have been connected in the same way, and the presumption is that the number of dimensions was endless. For development essentially involves a limitation of possibilities. But given a number of dimensions of feeling, all possible varieties are obtainable by varying the intensities of the different elements.
“The sky itself is the eighth color of the rainbow, spread over the whole sky for us, all the time.”
Source: Galileo's Dream (2009), Ch. 15, p. 354
“I feel in my sinews
The spreading of shadows
Converging together
With a shiver”
Hérodiade.
Hérodiade (1898)
Context: I feel in my sinews
The spreading of shadows
Converging together
With a shiver
And in solitary vigil
After flights triumphal
My head rise
From this scythe
Through a clean rupture
That serves to dissever
The ancient disharmony
With the body
As drunk from fasting
It persists in following
With a haggard bound
Its gaze profound
Up where the frozen
Absolute has chosen
That nothing shall measure
Its vastness, O glacier
But according to a ritual
Illumined by the principle
That chose my consecration
It extends a salutation.
Our America (1881)
Context: There can be no racial animosity, because there are no races. The theorist and feeble thinkers string together and warm over the bookshelf races which the well-disposed observer and the fair-minded traveller vainly seek in the justice of Nature where man's universal identity springs forth from triumphant love and the turbulent hunger for life. The soul, equal and eternal, emanates from bodies of different shapes and colors. Whoever foments and spreads antagonism and hate between the races, sins against humanity.
Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40
On how she feels unable to fully articulate racism in “Adrienne Kennedy Talks About Her Life” https://www.villagevoice.com/2008/01/29/adrienne-kennedy-talks-about-her-life/ in The Village Voice (2008 Jan 29)
1950's, On Being a Graphic Artist', 1953
Context: I do indeed believe that there is a certain contrast between, say, people in scientific professions and people working in the arts. Often there is even mutual suspicion and irritation, and in some cases one group greatly undervalues the other. Fortunately there is no one who actually has only feeling or only thinking properties. They intermingle like the colors of the rainbow and cannot be sharply divided. Perhaps there is even a transitional group, like the green between the yellow and the blue of the rainbow. This transitional group does not have a particular preference for thinking or feeling, but believes that one cannot do without either the one or the other. At any rate, it is unprejudiced enough to wish for a better understanding between the two parties... It is clear that feeling and understanding are not necessarily opposites but that they complement each other.
Source: Jack of Shadows (1971), Chapter 6 (p. 63)
About Abraham Lincoln (1864), as quoted in Reconstruction: America's Unfinished Revolution, 1863-1877 https://books.google.com/books?id=cwVkgrvctCcC&printsec=frontcover&dq=%22Eric+Foner%22+%22Republicans%22&hl=en&sa=X&ved=0ahUKEwiOwdup3aLLAhVK7SYKHZufDmUQ6AEIRjAH#v=onepage&q&f=false, by Eric Foner, p. 6
1860s