“Suppose I want to paint a woman's body: first of all I imbue it with grace and charm, but I know that I must give something more. I will condense the meaning of this body by seeking its essential lines. The charm will be less apparent at first glance, but it must eventually emerge from the new image which will have a broader meaning, one more fully human.”

1905 - 1910, Notes of a Painter' (1908)

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Henri Matisse60

French artist 1869–1954

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“I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

“I love painting the way one loves the body of a women.... if painting must have an intellectual and social background, it is only to enhance and make more rich an essentially warm, simple, radiant act, for which everyone has a need.”

Robert Motherwell (1915–1991) American artist

Conversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983
after 1970

“I suppose if you isolate yourself to such an extent, you more or less must expect a series of emergencies.”

Jack Vance (1916–2013) American mystery and speculative fiction writer

Source: Short fiction, Rumfuddle (1973), Section 2 (p. 168)

“Each one of these bodies [art-works which Arp made] certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 383

“All intense interest in luxury is a mark of inner poverty. The less grace there is in the soul, the more ornament must be on the body.”

Fulton J. Sheen (1895–1979) Catholic bishop and television presenter

Source: Peace of Soul (1949), Ch. 2, p. 24

“I have always loved truth so passionately that I have often resorted to lying as a way of first introducing it into minds which were ignorant of its charms.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

History of My Life (trans. Trask 1967), 1997 reprint, Preface, p. 34
Referenced

“My mind has to be ready. My body also has to be ready. But even more important, my heart has to be ready. What I mean by that is for the swims I do, I must have a burning reason.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

Website

“I was surprised by photography, which we all use so massively every day. Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting, but use painting as a means to photography.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

“If I must be faithful to someone or something, I have, first of all, have to be faithful to myself.”

Paulo Coelho book Eleven Minutes

Source: Eleven Minutes

“It wasn't quite what is seemed: a lack of pleasantries
(My able body isn't what it used to be)
I must admit I was charmed by your advances
Your advantage left me helplessly into you”

Ben Gibbard (1976) American singer, songwriter and guitarist

Title Track
We Have the Facts and We're Voting Yes (2000)

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Henri Matisse60

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