“I never can understand how anyone can not smoke — it deprives a man of the best part of life … with a good cigar in his mouth a man is perfectly safe, nothing can touch him — literally.”
Source: The Magic Mountain (1924), Ch. 3
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Thomas Mann159
German novelist, and 1929 Nobel Prize laureate 1875–1955Related quotes
“How can I shed tears for a man I should never have allowed to touch me in any way?”
Janet Fitch book White Oleander
Source: White Oleander
Pink (singer) (1979) American singer-songwriter
Sober, written by Pink, Nate Hills, Kara DioGuardi, and Marcella Araica
Song lyrics, Funhouse (2008)
“You can easily judge the character of a man by how he treats those who can do nothing for him.”
Simon Sinek (1973) British/American author and motivational speaker
Source: Leaders Eat Last: Why Some Teams Pull Together and Others Don't
“Anyone can attract a man. The trick is to keep him.”
Philippa Gregory book The Other Boleyn Girl
Source: The Other Boleyn Girl
Seneca the Younger book Epistulae morales ad Lucilium
Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LXXIV: On Virtue as a Refuge From Worldly Distractions
Ernest Becker book The Denial of Death
The transference-object is then a natural fetishization for man’s highest yearnings and strivings. Again we see what a marvelous “talent” transference is. It is a form of creative fetishism, the establishment of a locus from which our lives can draw the powers they need and want. What is more wanted than immortality-power? How wonderful and how facile to be able to take our whole immortality-striving and make it part of a dialogue with a single human being. We don’t know, on this planet, what the universe wants from us or is prepared to give us. We don’t have an answer to the question that troubled Kant of what our duty is, what we should be doing on earth. We live in utter darkness about who we are and why we are here, yet we know it must have some meaning. What is more natural, then, than to take this unspeakable mystery and dispel it straightaway by addressing our performance of heroics to another human being, knowing thus daily whether this performance is good enough to earn us eternity. If it is bad, we know that it is bad by his reactions and so are able instantly to change it.
Source: The Denial of Death (1973), The Spell Cast by Persons—The Nexus of Unfreedom