Ira Gershwin (1896–1983) American lyricist
"'S Wonderful", Funny Face, Act I (1927).
“You can't blame me sure the killer was my son
but I didn't teach him to pull the trigger of the gun
It's the killing on this tv screen
you can't blame me it's those images he's seen.
Well you can't blame me says the media man
Well I wasn't the one who came up with the plan
And I just point my camera at what the people want to see
Man it's a two way mirror and you can't blame me.”
Cookie Jar.
Song lyrics, On and On (2003)
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Do you have more details about the quote "You can't blame me sure the killer was my son
but I didn't teach him to pull the trigger of the gun
It's the killing …" by Jack Johnson (musician)?
Jack Johnson (musician)36
American musician 1975Related quotes
“You can't keep blaming yourself. Just blame yourself once, and move on."
Homer Simpson”
Matt Groening (1954) American cartoonist
Lizabeth Scott (1922–2015) American actress and singer
McFadden, Robert D. (February 6, 2015). " Lizabeth Scott, Film Noir Siren, Dies at 92 https://www.nytimes.com/2015/02/07/movies/lizabeth-scott-film-noir-siren-dies-at-92.html". The New York Times.
Karl Dönitz (1891–1980) President of Germany; admiral in command of German submarine forces during World War II
To Leon Goldensohn, July 14, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004.
J. Cole (1985) American Song Writer, Rapper and former Pro Basketball Player, From Fayetteville, North Carolina
Source: Song No Role Modelz
Ivan Illich (1926–2002) austrian philosopher and theologist
We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."
