“I have found, by trial, Homer a more pleasing task than Virgil (though I say not the translation will be less laborious); for the Grecian is more according to my genius, than the Latin poet.”

— John Dryden, book Fables, Ancient and Modern

Preface to the Fables http://www.bartleby.com/39/25.html <br class="br">Fables, Ancient and Modern (1700)

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John Dryden196

English poet and playwright of the XVIIth century 1631–1700

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“Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own …”

Richard Blackmore (1654–1729) English poet and physician

Preface to King Arthur http://d.lib.rochester.edu/camelot/text/blackmore-king-arthur-I (1697)

“Homer is the most simple in his style of all the great poets, and resembles most the style of the poetical parts of the Old Testament. They can have no conception of his manner, who are acquainted with him in Mr. Pope's translation only. An excellent poetical performance that translation is, and faithful in the main to the original. In some places, it may be thought to have even improved Homer. It has certainly softened some of his rudenesses, and added delicacy and grace to some of his sentiments. But withal, it is no other than Homer modernised. In the midst of the elegance and luxuriancy of Mr. Pope's language, we lose sight of the old bard's simplicity. I know indeed no author, to whom it is more difficult to do justice in a translation, than Homer.”

Hugh Blair (1718–1800) British philosopher

Lectures on Rhetoric and Belles Lettres (1784), Lecture XLIII: Homer's Iliad and Odyssey—Virgil's Aeneid.

“Nor ought a genius less than his that writ
Attempt translation.”

John Denham (1615–1669) English poet and courtier

To Sir Richard Fanshaw, Upon his Translation of Pastor Fido, line 9.

“Genius is nothing more nor less than childhood recaptured at will.”

Charles Baudelaire (1821–1867) French poet

Le peintre de la vie moderne (1863), III: “L’artiste, homme du monde, homme des foules et enfant”
Variant: Genius is nothing but youth recaptured.
Source: The Painter of Modern Life and Other Essays

“This tendency, however, to ascribe an universality of genius to great men, led Dryden to affirm, on the strength of two smart satyrical lines, that Virgil could have written a satire equal to Juvenal. But, with all due deference to Dryden, I conceive it much more manifest, that Juvenal could have written a better epic than Virgil, than that Virgil could have written a satire equal to Juvenal. Juvenal has many passages of the moral sublime far superior to any that can be found in Virgil, who, indeed, seldom attempts a higher flight than the sublime of description. Had Lucan lived, he might have rivalled them both, as he has all the vigour of the one, and time might have furnished him with the taste and elegance of the other.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; CCCCXII
Lacon (1820)