
Quoted in Albert Jay Nock, Memoirs of a Superfluous Man (1943), p. 175.
Attributed
Unsourced
Quoted in Albert Jay Nock, Memoirs of a Superfluous Man (1943), p. 175.
Attributed
The Poetic Principle (1850)
Context: I hold that a long poem does not exist. I maintain that the phrase, "a long poem," is simply a flat contradiction in terms.
I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length.
1898 in: Steven Z. Levine, Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93: presented as "account at the time of the reexhibition of the seven Cathedrals in 1898."
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 495.
“Art washes away from the soul the dust of everyday life.”
Quoted in: LIFE http://books.google.com/books?id=9EgEAAAAMBAJ&pg=PA9, Vol. 57, nr. 11 (11 September 1964). p. 9.
1960s
“A poem deserves its title only inasmuch as it excites, by elevating the soul.”
The Poetic Principle (1850)
“It is never difficult to see images – when the principle of the image is embedded in the soul.”
Hartley to Kuntz, April 4, 1932; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 124
1931 - 1943