“As Prince Bismarck, in the ’60s, wanted to move the “Acheron” of socialism, … it was of course not love for socialism or knowledge of socialism that led Prince Bismarck to do this. He understood nothing about socialism at that time, and never did understand anything about it down to his death; in fact, he never had any conception of the moving forces of political and social life at all. There probably never lived at any time in any country a “statesman” who was less scientific, who had less knowledge, and who relied so purely on experience and a sort of half-gambler, half-peddler cunning, as Bismarck. Those offers to socialists place in the clearest light the untruthfulness of Prince Bismarck’s claim that he always regarded the social democracy as incompatible with the existence of the state. Bismarck wanted to use socialism for the purpose of breaking up and dissolving the bourgeois liberal opposition, especially the Progressive party. This, in itself, is the most conclusive proof that he had no conception of the real nature of socialism. Of course the fate of the boy magician was repeated. The elemental force which was conjured up grew over the head of the dabbler, and he did not get the best of socialism; socialism got the best of him.”

— Wilhelm Liebknecht

No Compromise – No Political Trading (1899)

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Wilhelm Liebknecht 53

German socialist politician 1826–1900

Nicos Hadjinicolaou (1938) Art historian of Marxist-methodology and historian of visual ideology; El Greco scholar and Professor, El Greco …

Art History And Class Struggle (1978)

“I was taught never to take advantage of anybody who was less fortunate than myself, whether he be less fortunate in brains, wealth, or social position; it meant anybody…”

Harper Lee book Go Set a Watchman

Source: Go Set a Watchman

“In pre-war correspondence, Lee castigated the abolitionists for their political activity, and he never showed any qualms about the social order that he would later defend with arms. He also had a few slaves that he inherited as part of a will agreement, with provisions to emancipate those slaves. But in fact, he dragged his heels in complying with the terms of that will. And he never gave a second thought to the fact that his beloved Arlington mansion was run by slave labor.”

Brooks D. Simpson (1957) American historian

2000s, Intelligence Report: Rebels With A Cause (2000)

“The good historian is not for any time or any country: while he loves his fatherland, he never flatters it in anything.”

François Fénelon (1651–1715) Catholic bishop

Le bon historien n'est d'aucun temps ni d'aucun pays: quoiqu'il aime sa patrie, il ne la flatte jamais en rien.
Lettre sur les Occupations de l'Académie Française, sect. 8, cited from Œuvres de Fénelon (Paris: Lefèvre, 1835) vol. 3, p. 240; translation by Patrick Riley, from Hans Blom et al. (eds.) Monarchisms in the Age of Enlightenment (Toronto: University of Toronto Press, 2007) p. 86.

“I'm less unsure about taking political risks or social risks.”

Bono (1960) Irish rock musician, singer of U2

Bono: The Rolling Stone Interview (2017)
Context: I'm less unsure about taking political risks or social risks. When I became an activist, people were like, "Really?" But they eventually accepted that. Then I started to be interested in commerce and the machinery of what got people out of poverty and into prosperity. And then a few people said, "You can't really go there, can you?"
I said, "But if you are an artist, you must go there." You and I have had the conversation over the years: What can the artist do? What is the artist not allowed to do, and are there boundaries? Now, I would say to my younger self: "Experiment more and don't let people box you in. There is nothing you can't put on your canvas if it is part of your life."