
1960s, Portrait of a Genius As a Young Chess Master (1961)
"Early Encounters" (p. 20)
Quoted by Vollard who came to invite Degas for dinner, that evening
posthumous quotes, Degas: An Intimate Portrait' (1927)
1960s, Portrait of a Genius As a Young Chess Master (1961)
Source: The Thing (1929), Ch. IV : The Drift From Domesticity
Context: In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it."
This paradox rests on the most elementary common sense. The gate or fence did not grow there. It was not set up by somnambulists who built it in their sleep. It is highly improbable that it was put there by escaped lunatics who were for some reason loose in the street. Some person had some reason for thinking it would be a good thing for somebody. And until we know what the reason was, we really cannot judge whether the reason was reasonable. It is extremely probable that we have overlooked some whole aspect of the question, if something set up by human beings like ourselves seems to be entirely meaningless and mysterious. There are reformers who get over this difficulty by assuming that all their fathers were fools; but if that be so, we can only say that folly appears to be a hereditary disease. But the truth is that nobody has any business to destroy a social institution until he has really seen it as an historical institution. If he knows how it arose, and what purposes it was supposed to serve, he may really be able to say that they were bad purposes, or that they have since become bad purposes, or that they are purposes which are no longer served. But if he simply stares at the thing as a senseless monstrosity that has somehow sprung up in his path, it is he and not the traditionalist who is suffering from an illusion.
Essay 16: "Flirting with Success", p. 61
Naked Beneath My Clothes (1992)
“I hope I won't end up having to hunt you all down and kill you in your sleep.”
Linus Torvalds - Google+, Torvalds, Linus, 2013-04-05, 2013-04-05 https://plus.google.com/102150693225130002912/posts/hvnMn1fFKEm,
2010s, 2013
Interview with Pittsburgh Press-Roto, 1974. Quoted in Blum, Deborah. The Monkey Wars. Oxford University Press, 1994, p. 92.
Catch Me While I'm Sleeping, written by Pink and Linda Perry
Song lyrics, Try This (2003)
“If you're waiting to have good ideas before you have any ideas, you won't have many ideas.”
Source: Getting Things Done: The Art of Stress-Free Productivity (2001), Ch. 3
Source: Kafka on the Shore (2002)
Context: And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Chapter One