“No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.”

— Friedrich Schiller , book On the Aesthetic Education of Man

Letter 9
On the Aesthetic Education of Man (1794)

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Friedrich Schiller 111

German poet, philosopher, historian, and playwright 1759–1805

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“Thus it is that ideas, which grow up within the imagination and appear so lovely to it and of a value beyond whatever men call valuable, are exposed to be shattered and annihilated by contact with the practical. It is requisite for the ideal artist to possess a force of character that seems hardly compatible with its delicacy; he must keep his faith in himself while the incredulous world assails him with its utter disbelief; he must stand up against mankind and be his own sole disciple, both as respects his genius and the objects to which it is directed.”

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“One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public.
Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsbility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence — in destitution, in prison, in sickness — his sense of stable harmony never deserts him.
But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings — they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers.”

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“This book, admirable in so many respects, power in its break and style, is even more intimidating for me in that, having formely had the good fortune to study under Michel Foucault, I retain the consciousness of an admiring and grateful disciple. Now, the disciple's consciousness, when he starts, I would not say to dispute, but to engage in dialogue with the master or, better, to articulate the interminable and silent dialogue which made him into a disciple-this disciple's consciousness is an unhappy consciousness.”

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“The artist is usually a child of his times, especially if his formative years fell in the period of early socialism.”

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Other Quotes
Context: The artist is usually a child of his times, especially if his formative years fell in the period of early socialism. My formative years coincided with that period, and I was totally caught up in the socialist movement. At that time, the idea of a conscious commitment to serve the proletariat was the farthest thing from my mind. But what use to me were principles of beauty like those of the Greeks, for example, principles that I could not feel as my own and identify with? The simple fact of the matter was that I found the proletariat beautiful.

“The artist creates his own elite, and the elite its own artists.”

E.H. Gombrich

Source: Art and Illusion: A Study in the Psychology of Pictorial Representation

“No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.”

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Friedrich Schiller 111

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