“With a long slow stride, limping a little from his blistered feet, Bud walked down Broadway, past empty lots where tin cans glittered among grass and sumach bushes and ragweed, between ranks of billboards and Bull Durham signs, past shanties and abandoned squatters’ shacks, past gulches heaped with wheelscarred rubbishpiles where dumpcarts were dumping ashes and clinkers, past knobs of gray outcrop where steamdrills continually tapped and nibbled, past excavations out of which wagons full of rock and clay toiled up plank roads to the street, until he was walking on new sidewalks along a row of yellow brick apartment houses, looking in the windows of grocery stores, Chinese laundries, lunchrooms, flower and vegetable shops, tailors’, delicatessens. (pp. 23-24)”

Source: Kafka on the Shore

Nobel Prize Speech (1954)

1990

She Wolf (Falling to Pieces), Nothing But the Beat 2.0 (2012). Cowritten with David Guetta, Chris Braide and Giorgio Tuinfort.
Songs

The Artful Universe (1995)
Context: The Universe has imposed aspects of its structure upon us by the inevitability of the forces of Nature... In a world where adapters succeed, but non-adapters fail, one expects to find vestigial remnants... Many of these adaptations... give rise to a suite of curious byproducts, some of which have played a role in determining our aesthetic sense. We are products of a past world where sensitivities to certain things were a matter of life or death.<!-- Ch. 6, p.246

Source: Barbarian Sentiments - How The American Century Ends (1989), Chapter 1, Dead Stars, p. 3.

Source: Blood Meridian, or the Evening Redness in the West