
Letter to Sophie Brzeska-Savage Messiah By H S (Jim) Ede Heinimann (1931)
Source: posthumous, Astract Expressionist Painting in America, p. 64, in an unpublished letter of Gorky
Letter to Sophie Brzeska-Savage Messiah By H S (Jim) Ede Heinimann (1931)
Source: Nancy Bachus The Modern Piano: The Influence of Society, Style, and Musical Trends on the Great Piano Composers http://books.google.co.in/books?id=azsmp3dvjk8C&pg=PA10, Alfred Music Publishing, 1 August 2006, p. 10
Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2
Willoughby Sharp, "Luminism and Kineticism," in: Minimal Art.- A Critical Anthology, Gregory Battcock, ed. (New York: E.P. Dutton, 1968), p. 358
Source: Striking Thoughts (2000), p. 5
N 45, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 35
after 1930
Source: Art on the Edge, (1975), p. 230, Art on the Edge (1975) "Shall These Bones Live?: Art Movement Ghosts"
“I depict my life and experiences in my works of art.”
quoted by his sister Emmy Muellers in her 'Recollections'; as cited in Otto Mueller: A Stand-Alone Modernist, Dieter W. Posselt; 2006 / new edition 2010, Books on Demand, GmbH, Norderstedt, Germany - ISBN:978-3-8448-6866-1
“Art like life should be free, since both are experimental.”
The Life of Reason: The Phases of Human Progress (1905-1906), Vol. IV, Reason in Art
Source: Conversations with Judith Cladel (1939–1944), p. 407