“Or he may study the hidden mind of the animal. A mixture of feelings and of thoughts, of dumb intelligences and of rudimentary affections, he reads the whole humble moral life of the beast in its eyes and in its movements.
He is even the confidant of nature. The trees, the plants talk to him like friends. The old gnarled oaks speak to him of their kindliness for the human race whom they protect beneath their sheltering branches. The flowers commune with him by the gracious swaying of their stalks, by the singing tones of their petals — each blossom amidst the grass is a friendly word addressed to him by nature.”

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 48

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Or he may study the hidden mind of the animal. A mixture of feelings and of thoughts, of dumb intelligences and of rudi…" by Auguste Rodin?
Auguste Rodin photo
Auguste Rodin 73
French sculptor 1840–1917

Related quotes

“Lugalbanda lies idle in the mountains, in the faraway places; he has ventured into the Zabu mountains. No mother is with him to offer advice, no father is with him to talk to him. No one is with him whom he knows, whom he values, no confidant is there to talk to him. In his heart he speaks to himself:”

In Lugalbanda and the Anzud Bird, Ur III Period (21st century BCE). http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.8.2.2#
Context: Lugalbanda lies idle in the mountains, in the faraway places; he has ventured into the Zabu mountains. No mother is with him to offer advice, no father is with him to talk to him. No one is with him whom he knows, whom he values, no confidant is there to talk to him. In his heart he speaks to himself: "I shall treat the bird as befits him, I shall treat Anzud as befits him. I shall greet his wife affectionately. I shall seat Anzud's wife and Anzud's child at a banquet. An will fetch Ninguena for me from her mountain home -- the expert woman who redounds to her mother's credit, the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect. When the bird has drunk the beer and is happy, when Anzud has drunk the beer and is happy, he can help me find the place to which the troops of Unug are going, Anzud can put me on the track of my brothers."

Felix Adler photo

“Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 6 : Higher Life
Founding Address (1876), Life and Destiny (1913)
Context: Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.
It is the prerogative of man that he need not blindly follow the law of his natural being, but is himself the author of a higher moral law, and creates it even in acting it out.

Laurell K. Hamilton photo
Joanne Harris photo
Felix Adler photo
Tennessee Williams photo
André Maurois photo

“...man is the animal that moralizes. Man is also the animal that complains about being one, and says that there is an animal, a beast inside him — that he is brother to dragons.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

He is certainly a brother to wolves, and to pandas too, but he is father to dragons, not brother: they, like many gods and devils, are inventions of his.

“On the Underside of the Stone”, p. 177
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Orson Pratt photo
Subh-i-Azal photo

Related topics