“I have tried to draw realistically and not ideally… It may be a defect, for I have no mercy on warts, and I like adorning them with wanton hairs, rounding them off and giving them a bright surface… - A painter in embryo….- Write me a line soon. I am feverish with anxiety.”

— Henri de Toulouse-Lautrec

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 60 - quote in a letter to his friend Etienne Devismes, Summer of 1881
his friend Etienne Devismes had just finished a novel 'Cocotte', and asked Lautrec to illustrate it. Lautrec made twenty-three pen and ink drawings and sent them to Devismes with a letter

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Henri de Toulouse-Lautrec 13

French painter 1864–1901

Rigby Graham (1931–2015) British author and illustrator

Obituary, Daily Telegraph,London, 20th May 2015

“For me, the Bild-Dichtung[image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 258 (2002)

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow." And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.”

Steven Wright (1955) American actor and author

Interviews

“They say they have noticed me drawing. I almost tell them right then and there. They noticed.”

Laurie Halse Anderson Speak

Source: Speak

“Well I tried my best to be just like I am, but everybody wants you to be just like them”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Essential Bob Dylan (2000), Maggie's Farm

“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

Tracy Chevalier (1962) American writer

On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

“I am writing graffiti on your body.
I am drawing the story of how hard we tried.”

Ani DiFranco (1970) musician and activist

Both Hands
Song lyrics

“I have just concluded my series of paintings, I look at them constantly. I who made them often find them horrible. I understand them only at rare moments, when I have forgotten all about them, on days when I feel kindly disposed and indulgent to their poor maker. Sometimes I am horribly afraid to turn round canvases which I have piled against the wall; I am constantly afraid of finding monsters where I believed there were precious gems!... Thus it does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too justified!”

Camille Pissarro (1830–1903) French painter

However, at times I come across works of mine which are soundly done and really in my style, and at such moments I find great solace. But no more of that. Painting, art in general, enchants me. It is my life. What else matters?
Quote in a letter, 20 Nov. 1883; as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
1880's

“If I had not become a painter,
I would surely have become a clown..
.. because I make people laugh..
.. Faces deformed
by suffering, humour or work.
Often crazy. They then became imaginary,
when I adorned them with movements
free colours depending on the head. The
colour too become clown-like”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

AF, 73; p. 161
Karel Appel, a gesture of colour' (1992/2009)

“I have no ideas before I write a play. I have them when I have finished it … I believe that aritistic creation is spontaneous. It is for me.”

Eugéne Ionesco (1909–1994) Romanian playwright

Notes and Counter-Notes (1964), as translated by Donald Watson, p. 33

“I have tried to draw realistically and not ideally… It may be a defect, for I have no mercy on warts, and I like adorning them with wanton hairs, rounding them off and giving them a bright surface… - A painter in embryo….- Write me a line soon. I am feverish with anxiety.”

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Henri de Toulouse-Lautrec 13

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