
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 6
Source: Les Misérables
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 6
"To Shakespeare"
Poems (1851)
Context: The soul of man is larger than the sky,
Deeper than ocean, or the abysmal dark
Of the unfathomed center. Like that ark,
Which in its sacred hold uplifted high,
O'er the drowned hills, the human family,
And stock reserved of every living kind,
So, in the compass of the single mind,
The seeds and pregnant forms in essence lie,
That make all worlds. Great poet, 'twas thy art
To know thyself, and in thyself to be
Whate'er Love, Hate, Ambition, Destiny,
Or the firm, fatal purpose of the Heart
Can make of Man. Yet thou wert still the same,
Serene of thought, unhurt by thy own flame.
from: English Wikipedia, Joan Miró, 1958, as quoted in Twentieth-Century Artists on Art, ed. Dore Ashton, 1986
1940 - 1960
“She says a wedding is one of the most lamentable spectacles on earth.”
The Awakening (1899)
Book VII, Ch. 4
Death Comes for the Archbishop (1927)
Context: The sky was as full of motion and change as the desert beneath it was monotonous and still, — and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one's feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!
“The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.”
L'on voit bien que l'Opéra est l'ébauche d'un grand spectacle; il en donne l'idée.
Aphorism 47
Les Caractères (1688), Des Ouvrages de l'Esprit