
The Song of Seventy.
A Thousand Lines (1846)
Source: The Bridges of Madison County
The Song of Seventy.
A Thousand Lines (1846)
“I started working with my dreams, because I'm not so censored when I use dream material.”
Kathy Acker: Where does she get off?
Context: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.
Variant: I used to think as I looked at the Hollywood night, «There must be thousands of girls sitting alone like me, dreaming of becoming a movie star. But I'm not going to worry about them. I'm dreaming the hardest.
"Working on a Dream"
Song lyrics, Working on a Dream (2009)
“I don't dream at night, I dream at day, I dream all day; I'm dreaming for living.”
“I didn't stop dreaming until I finished the film. But the dream was the movie, not the Oscar.”
O interview (2003)
Context: I wanted to win it for one specific reason — to send the Oscar to the Frida Kahlo House in Mexico, where Frida herself once lived. It's going to bring a tear to my eye now. I wanted every Mexican who walked into that museum to remember that what motivated me to make this movie, to dream this dream, had everything to do with where I came from — and I didn't stop dreaming until I finished the film. But the dream was the movie, not the Oscar.
"Trzeba czasem zdjąć zbroję. Wywiad z Robertem Lewandowskim" https://twojstyl.pl/artykul/trzeba-czasem-zdjac-zbroje-robert-lewndowski,aid,824 (August 25, 2020)
Source: The White Rose (1985), Chapter 2, “The Plain of Fear” (p. 456)
Context: An old, tired man. That is what I am. What became of the old fire, drive, ambition? There were dreams once upon a time, dreams now all but forgotten. On sad days I dust them off and fondle them nostalgically, with a patronizing wonder at the naivete of the youth who dreamed them.