Kengo Kuma quote: “All ideas come from sensation or reflection. Let us then suppose the mind to be, as we say, white paper, void of all ch…”

“The idea of the American 'creedal nation,' which is supposed to unite us all in 'a common commitment to a set of ideas and ideals,' is abstract and inorganic. This creed comes from above, not from below. It's a state religion reflexively developed to bring about compliance.”

Ilana Mercer South African writer

"What Rep. Steve King's Racist' Statements Teach" http://dailycaller.com/2017/03/20/what-rep-steve-kings-racist-statements-teach/ The Daily Caller, March 20, 2017
2010s, 2017

“Character comes from following our highest sense of right, from trusting ideas without being sure they’ll work.”

Richard Bach (1936) American spiritual writer

Source: One

“At first our pupil had merely sensations, now he has ideas; he could only feel, now he reasons. For from the comparison of many successive or simultaneous sensations and the judgment arrived at with regard to them, there springs a sort of mixed or complex sensation which I call an idea. The way in which ideas are formed gives a character to the human mind. The mind which derives its ideas from real relations is thorough; the mind which relies on apparent relations is superficial. He who sees relations as they are has an exact mind; he who fails to estimate them aright has an inaccurate mind; he who concocts imaginary relations, which have no real existence, is a madman; he who does not perceive any relation at all is an imbecile. Clever men are distinguished from others by their greater or less aptitude for the comparison of ideas and the discovery of relations between them. Simple ideas consist merely of sensations compared one with another. Simple sensations involve judgments, as do the complex sensations which I call simple ideas. In the sensation the judgment is purely passive; it affirms that I feel what I feel. In the percept or idea the judgment is active; it connects, compares, it discriminates between relations not perceived by the senses. That is the whole difference; but it is a great difference. Nature never deceives us; we deceive ourselves.”

Jean Jacques Rousseau book Emile, or On Education

Emile, or On Education (1762), Book III

“Now where I come from
We don't let society
Tell us how it's supposed to be
Our clothes, our hair
We don't care
It's all about being there
Everybody's going Uptown
That's where I wanna be
Uptown
Set your mind free.”

Prince (1958–2016) American pop, songwriter, musician and actor

Uptown
Song lyrics, Dirty Mind (1980)

“Would not all we mean by “communication between mind and mind” be provided for if we suppose that common knowledge comes about, not from our explaining things to one another, but from things explaining themselves in the same terms to us all? Accepting the object as its own interpreter, as its own “medium of communication,” do we not begin to understand what is utterly dark on any other view, how it comes to pass that the resulting knowledge is a common possession?”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

The Usurpation Of Language (1910)

“All day I think about it, then at night I say it. Where did I come from, and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I'm sure of that, and I intend to end up there.”

Rumi (1207–1273) Iranian poet

"Who says words with my mouth?" in Ch. 1 : The Tavern, p. 2
Disputed, The Essential Rumi (1995)

“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

Albert Gleizes (1881–1953) French painter

1910s, Du Cubisme (1912)

“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

Jean Metzinger (1883–1956) French painter

Du Cubisme (1912)

“Almost all new French art [ French Impressionism ] has for me a flat, empty character without any distance and depth in colors. The paintings look like white sheets of paper with colors on it.”

Jacob Maris (1837–1899) Dutch painter

Bijna alle nieuwe Fransche kunst [Impressionisme] heeft voor mij een plat, leeg karakter zonder afstand en diepte in kleur. De schilderijen lijken witte velletjes papier met kleurtjes erop.
Quote of Jacob Maris, in: 'Veerpont - Jacob Maris', Frank van der Velden https://www.rembrandtcirkel.nl/ul/cms/attachment/file/document/6/0/7/607/607/1/veerpont.pdf; Vereniging Rembrandt, Spring 2005, p. 24
he lived for several years in Paris, till 1871

“[Speaking to a crowd regarding the sale of tribal land to the US Government] My friends, you have all heard what my father-in-law says, but I do not think he is right. He believes what the white people tell him; but this is only another trick of the whites to take our land away from us, and they have played these tricks before. We do not want to trust the white people. They come to use with sweet talk, but they do not mean it. We will not sign any more papers for these white men.”

Hollow Horn Bear (1850–1913) 19th century Lakota chief and policeman

[Standing Bear, Luther, My People the Sioux, November 1, 2006, University of Nebraska Press, 9780803293328, 211-12, https://books.google.com/books?id=ltSXg-abnU4C, 1 March 2018]

“All ideas come from sensation or reflection. Let us then suppose the mind to be, as we say, white paper, void of all characters, without any ideas. How comes it to be furnished?”

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